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TAXIDERMY_______________________________________EAST LONDON ::::::::::::::::::::::::::::::::::: THE CITY IS AN ANIMAL ......................................................................................UNSTABLE INSTALLATION SERIES................................................. 5TH BASE GALLERY ////////////////// LAPIEZA 940 INCISIONS & DISSECTIONS ------ 2015

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TAXIDERMY 
THE CITY IS AN ANIMAL



AN EXHIBITION
BY 
ANTO LLOVERAS





UNSTABLE
INSTALLATION
SERIES 



5TH BASE GALLERY
EAST LONDON 2015





43 CUTS FROM 20 URBAN ANIMALS 






C O N T E N T




- COPOS = URBAN VIDEOART SERIES NOW AT NUMBER 477, 
ONGOING ONLINE MEMORY VIDEOCLOUD //////////////////// 

- MEAT = CUTOUTS FROM URBAN FURNITURE - LAST 20 NUMBERS ON DISPLAY, REACHING NUMBER 102. THE SERIES HAVE ALREADY BEEN EXHIBITED IN CROATIA, FRANCE, NORWAY AND BERLIN ///////////////////// 

-  URBAN RINGS URBAN KINGS, NOW PRESENTING THE RUBBER, TAKEN FROM CITY SURFACE, AND BACKED UP WITH THE 10.000 TWINS PHOTO-SERIES ////////////////////////// 

- SPREAD = UNSTABLE INSTALLATION SMALL ONBJECTS  ////////////////// 

MINMAL VALUE = URBAN COINS, LEFTOVERS AS TOTEM /////////////////////// 
MY LEGS = URBAN BODY SCULPTURE ////////////// 

- URBAN GREEN SERIES







ONLINE
TEASERS
/////////////////////////////////////////////////////////////////////////////////////////










En el huevo




Vivimos en un huevo.
Hemos cubierto su interior
de dibujos obscenos
y garrapateado los nombres de nuestros enemigos.
Nos están incubando.

Quienquiera que nos incube
incuba también nuestro lápiz.
Cuando rompamos la cáscara un día
nos haremos una idea
enseguida de quien nos incuba.

Suponemos que nos incuban.
Nos imaginamos un ave bonachona
y escribimos trabajos escolares
sobre colores y raza
de la gallina que nos incuba.

¿Cuándo romperemos la cáscara?
Nuestros profetas del interior del huevo
discuten, por un sueldo medianejo,
sobre el período de incubación.
Suponen un día X.

Por aburrimiento y necesidad auténtica
hemos inventado las incubadoras.
Nos preocupa mucho nuestra descendencia en el huevo.
Con gusto recomendaríamos nuestra patente
a quien nos guarda.

Tenemos un techo sobre nuestras cabezas.
Pollitos seniles,
embriones que saben idiomas,
hablan el día entero
y todavía discuten sus sueños.
¿Y si no nos incubaran?
¿Si nunca se hiciera un agujero en esta cáscara?
¿Si nuestro horizonte fuera sólo el horizonte
de nuestros garabatos y no dejara de serlo?
Confiamos en que nos incuban.

Aunque si hablamos sólo de incubaciones
hay que temer también que alguien,
fuera de nuestra cáscara, sienta hambre
y nos eche a la sartén, sazonándonos con sal...
¿Qué haremos entonces, mis hermanos de dentro del huevo?

GUNTER GRASS






MINMAL VALUE / JEWELS


VIDEOART 16:9 HD MULTISCREEN 
16MIN 32SEC





RELATED RECENT EXHIBITIONS

PALINDROME FRANCE 2104
LEMON KISS CROATIA 2014



TAXIDERMY
IS A PART OF LAPIEZA EXHIBITION #72
INCISIONS AND DISSECTIONS
LONDON 2015










HAVE A NICE DAY                   EAT SPARINGLY 



AND
LOVE LOVE







ANTO


THE LIGHT IN PROVENCE | 06.2015 _____________________ UNSTABLE INSTALLATION______________________LAPIEZA #960 EXFOLIATION

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COLOR, SITUATION AND AFFECTION : SERIES

On a bright sunday morning I fly to marseille. I will meet the french branch of my art family at the heart of provence. I pack some colors and small objects together with selected clothes. Blue and yellow bags, a grey net and some jewelery collected in the past weeks in Amsterdam, Rotterdam, London and Barcelona. Street flowers. We all work in the day in our studios, and share dinner with wine from a big cardboard box in the night, YURI and ANALIE play their instruments with tenderness. Sometimes we dance. At midnight, i read the short stories by CARVER and RULFO, once again. The languaje. I watch some old black and white films. In the day, after the morning cofee I record GLIMPSES. Faces, colors and light. Not too much. A bit of intro context is enough. In the past years i already filmed the water and collected some objects and photographed the artists as social sculpture with a net. No need to re-play. RITUAL. In the evenings we go down to the local café with RUDI-AN¬MA and have cold drinks before dinner. The touch. Days pass by. The birds sing in the morning. I carry my camera and my phone in the YELLOW BAG. I need to have MY CURRENT SCULPTURE near me, not far from my body. By me, on me, with me. As extension of me. My temporary coloured satellite. No melancholia: JOY. I showed these YELLOW BAGS already in croatia last year, where they were still under the long shadow of the dominant BLUE BAGSIn the evening I record Françoise painting under great light in her terrace. Her hair, her legs and arms move fast on the horizontal surface. The cat watches. I visit Jana and Anna in her towers, I bring some flowers along. I also record Shahpari painting a new round of dots in her latest piece, blue on yellow. We work in silence. Meditation above conversation. We have a frugal lunch. Swimming pool opens. I like to swim in the afternoon. Marta paints her camouflage series sitted on a big green backpack. The set around her and the light is quite fine. The bottle hides behind the door. 

PERFORMANCE

The center piece i will produce this year is a minimal, yet long documented performance. It will last as far as i can reach by foot to a place of SIGNIFICANT meaning in the area. A step away from the village. provence as canvas. colors are ready. BLACK SHOES. PURPLE PANTS. WHITE SHIRT. GREEN HAT. Basic performance outfit. With the satellite yellow star, THE BAG. Im ready. I need to walk again. I did many long-walks as art in big cities. Berlin, Mexico and London recently. The performance is private as usual. On a thursday afternoon it is decided. I will reach the village of Correns in the night to meet Niké Nágy, a good artist friend. it is only 25 km away. she will prepareer to celebrate arrival. i pack my bottles of water with some mandarines. I carry the map niké made by hand for me to reach her place taking the nicest roads. i usually walk alone, and meet people in my way, however this time, the walk is joined by slovak painter M+KISS, that will assist as camera, and mediate the walk. She brings some beers and chocolate cookies along. Also her english grammar book. So we go. The road is pleasant, sometimes we walk in silence and other we talk. Trees, flowers, wineyards, blue sky. We walk in the side of the road. Eventually we arrive to some great fields with thistles and flowers, that will stay as main background for the action. The place of memory. Now and then we enjoy drinks under the trees and share some art stories. After some hours our friends in Correns start to call to check on us. We are certainly behind schedule. Last ten kilometers are the toughtest ones. NO SHOES. Sun goes down. We arrive in Correns by night, where we enjoy the kindness of niké and her husband, together with Yuri, Shahpari and Jean-Pierre. The dinner is a composition of roasted lamb with herbs, potatoes and sauces, with cheese and wine. Performance walk has been great, and the day will stay in the memory with the video captures of the selected scenarios. We eat with joy. WALK AS ART. Provence as canvas. 






30 KM WALK 
YELLOW BAGS, PURPLE PANTS AND WHITE SHIRT.









Next, we go to Aix en Provence to enjoy a picnic in a public park, and visit the exhibition by canaletto in a recently renovated aristocratic palace. I walk the show with Marion, commenting on the grace of the architecture details and the joyness of the stripped banderola on the palladian architecture style. I have a green leaf on my white shirt. The leaf is an ephemeral sculpture. It lasts only two hours before it dehidrates. We take some collective pictures using a mirror at the chick sofas in a fancy saloon. We manage to come home with Paule and poet Christophe after a parking absurd situation. On sunday we jump in the cars again and arrive into Françoise´s largest artwork. Her own house. The site is in the middle of the forest. A place she made for herself and for her friends. It rains, so e all pack in the livingroom, around a big table. Françoise´s daughter Sophie and her husband come along as well, they help fixing all dishes, salads, sardines and other delicatessen. No shortge of red wine, and warm coffee in the afternoon, outside, with the fresh, yet sleepy afternoon mood. When coming back, with MA+AN music is loud in the car, and when arrive we dance on the aspalt under the falling sun. An extra point. I read about music theory in the night. Early next morning i help Jean-Pierre to set some boards announcing our upcoming exhibition on the near roads. I change my mood to BLUE again, and play with the jewlery. PINK is the color I carry on my hands and I test some bags on MARION. The hands will come in the show. YET ANOTHER FLESH PIECE. If legs are purple, hands are stripped. I think constanly on coming back and cutting some flowers in the fields I WALKED IN THE PERFORMANCE. Perhaps to have a new eccho of that moment. To re-remember. To translate TO PHYSICAL. I also have the GREY NET to work under the light. On me then on you. So I walk the fields again. More memory. About enough. We have a second collective exhibition at a big house by the sea at Six Fours les Plages. The light is great. We have some swims. All paintings look great, the sow is balanced. I put up the show with the video and the installation with the bags and the clothes in a small room at the entrance, together with the art of Medvedova. Cold wine and photos.  










EXHIBITION 
SET

VIDEOART 
INSTALLATION WITH BAG AND CLOTHES


ANTO LLOVERAS -  DIRECTOR

SITUATION, COLOR AND AFFECTION________ DURATIONAL PERFORMANCE_____PROVENCE 2015 _______ ARTIST IN RESIDENCE___PLASTIC BAGS, OUTFIT, URBAN JEWELS, LIGHT NET, LEAF, BOOKS AND NARRATIVE::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::     UNSTABLE INSTALLATION SERIES


VIDEOART 10 minutes - assisted by M+KISS - all rights reserved



This piece will be part of LAPIEZA RELATIONAL ART SERIES, 
soon to reach 1000 pieces. 6th season.
http://lapiezalapieza.blogspot.com.es

MONOCHROMES__________GREEN___BLACK_______UNSTABLE INSTALLATION SERIES______NO LEFTOVERS:::::::::::::::::::::::::::::IN USE_______LAPIEZA__________2015

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CONCEPTUAL SERIES










NATURAL GREEN SERIES (HOLA VERDE URBANO, EXTENDED) TO ENVIRONMENT
+GREEN HAT    HAT SERIES #4   ONGOING 
+BLACK PANTS - ONGOING      > RELATED TO PURPLE LEGS - ONGOING
+BLACK SHIRT - ONGOING
+BLACK SHOES - ONGOING

NO LEFTOVERS
IN USE 
CLOTHES AS INSTALLATION PIECES - HAVE ALREADY BEEN EHXIBITED 

SIX FOURS LES PLAGES EXHIBITION - PROVENCE 2015 
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html 

AND PRAHA QUADRENNIAL OF PERFORMANCE 2015 
http://antolloveras.blogspot.com.es/2015/06/prague-quadrennial-of-performance-and.html


NOTE:

THE VIDEOART LOOP WILL BE PRESENTED IN SLOVAKIA DURING THE ARTIST RESIDENCE > LATE SEPTEMBER 2015




ALL WHAT AN ARTIST SAYS IS ART
MUST BE ART












MANUEL MAQUEDA y el linaje pictórico sentimental ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨obra seleccionada 2010-2015________________________LAPIEZA

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Cuando Manuel Maqueda visitó por primera vez una de las exposiciones de LAPIEZA en Madrid, quedó no solamente fascinado por el lenguaje expositivo, tan lejano, a primera vista, de su pintura, sino muy intrigado por la forma de acceso a un arte seminonáutico y expansivo. Pol Parrhesia, amiga en común, instalaba ese día una nube de alambre alrededor de un punto de luz cenital, y Manuel fumaba en su pipa mientras estudiaba la obra expuesta, consistente en su mayor parte de objetos monocromáticos, naturalismos, algunas pornografías y videarte en bucles. Al terminar la acción, tomamos unos vinos y Manuel me invitó a su estudio para hacer una demostración de trazo con pincel chino, técnica que estudió durante una década con el maestro de caligrafía china Jorge Tseng. En aquella, ahora lejana primera visita a su casa-estudio en Toledo, me quedó ya claro que en Maqueda habita un inmenso universo pictórico propio, con influencias reconocidas y reconocibles en sus rostros. 
Hay rasgos familiares, herencias de la gran pintura española e internacional. Los deliciosos personajes de El Bosco, junto a los claroscuros de Rembrandt  o Zurbarán, mezclados con las facetaciones faciales de Picasso y las variantes cromáticas de Matisee, todas referencias ineludibles, ligadas en un gran salto al intimismo escenográfico de Hopper y a la sensibilidad de los minimalistas y abstractos, deudores todos, del gran arte oriental.La historia de la pintura emocional, con los retratos y los paisajes como ejes fundamentales, son la base de la línea pictórica a la que Maqueda sigue insuflando vida a diario. El trazo, su gesto directo y preciso, es un puente inmediato hacia un paisaje anímico interior, que actúa como motor de la obra. Este motor invisible, que desde hoy nombraremos como linaje, quedó probado en las sucesivas acciones que diagramamos en la galería, para alegría y sorpresa de los invitados. 


El trazo, en su origen, tuvo algunos elementos naturales como protagonistas. Las manzanas de mi jardín, acumuladas como obra natural, brotaron limpias del pincel de Maqueda, y los rostros que yacían dormidos e invisibles en las 
ocho piedras sobre la mesa negra, despertaron con la caricia del agua tintada. Más adelante, ya en el sur de Francia, bajo la misma luz con la que Cézanne pintó una y otra vez su querida montaña Santa Victoria, continuamos la serie de piedras y  flores. Si aquel nuevo encuentro, en la residencia anual de artistas que dirige con sutil elegancia Françoise Rohmer, fijó un nuevo hito en nuestra colaboración activa, ampliando la serie de videos y exposiciones conjuntas, fue solamente un previo de nuestros siguiente brindis en la ciudad de México, a la que Manuel llegó guiado por las grandes pasiones, de las que es fiel amante. En aquella primavera lluviosa, Maqueda pintó los rostros de la muerte y del desasosiego tras un intenso viaje a la frontera con Guatemala y esbozó una y otra vez el rostro de su musa afrodita. En el DF nos veíamos poco y nos llamábamos mucho. A veces venía a mi hotel, céntrico y bohemio, lejos de su tranquilo Coyocán, donde vivía en una linda casita dentro de la fortaleza del Indio Fernández. En sus esporádicas visitas al bullicioso centro, paseamos largo, sin prisas, tomando cafés, comiendo platillos de pescado en cantinas vetustas y comprando nuevos papeles en la Merced, rodeados de montañas de tomates y nopales, en aquella gozosa penumbra. 

Hace ahora un año, tras montar su nuevo estudio en Vejer de la Frontera, Cádiz, donde ahora vive y trabaja, seleccioné obra reciente para su primera exposición allá. Disfrutamos del verano andaluz, revisamos toda la obra durante los días, muy calurosos, y ya en la tarde, cuando el sol bajaba hacia su horizontal, bajábamos raudos a la playa, nuestra linda playa virgen, donde dibujábamos en la arena, emulando al gran Miró, junto al batir de las olas hasta que anochecía. 
Si bien la pintura en gran formato ha sido el eje fundamental del trabajo de Maqueda, el número anual de grandes lienzos ha ido disminuyendo progresivamente, ahora mucho más selectos y exclusivos, favoreciendo la obra sobre papel, muy dinámica en ejecución, y bien amiga de la movilidad y del importante coleccionismo y Y del mecenazgo, que fomentamos con entusiasmo, en cada nueva acción. Como a los grandes artesanos, rigurosos, perfeccionistas y celosos de su intimidad, a Maqueda le gusta trabajar a diario, concentrado, solo, en su estudio, y esbozar sus nuevos rostros, cada nueva temporada inspirados en los afectos que mantiene activos, rodeado de cientos de pinceles y de papeles, que, como únicos instrumentos afinados y afilados, se pliegan dóciles, gozosos, en sus manos para esculpir de nuevo, la forma del deseo y del afecto. El linaje de Manuel Maqueda.







Anto Lloveras 01.08.15 NEGRADAS



Artista conceptual relacional, comisario y crítico.
Socioplástica y vanguardia activa. Todos los derechos reservados.








Manuel Maqueda presenta su obra reciente en Septiembre 
en Vejer de la Frontera, Cádiz. Apertura con vino.
Exposición abierta todo el mes de septiembre de 20.00 a 23.00 h. 
con la presencia del artista.






+
MAQUEDA
MAPA DEL TIEMPO

https://www.google.es/search?q=MANUEL+MAQUEDA+LAPIEZA&biw=780&bih=381&source=lnms&tbm=isch&sa=X&ved=0CAYQ_AUoAWoVChMIideDmOCMxwIVx10UCh2sdge5#imgrc=BbsHqooLd5n-gM%3A




ÉPICA EPIDÉRMICA___________________SKINS AND FRAMES______2013:2015_____________NEGRADAS

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During the summer of 2013, after a long residecy in Mexico City, the CONCEPT WORK INSTALLATION developed in a natural environment, was made by two antagonic yet simbiotic elements. 

One, THE EXTERIOR SKIN, was the fabric, the container, the gallery itself. Usually galleries are not made by the artists, that are like polinizing bees in different spaces of the social legitimated tectonics. So, since i have the will andmust do the artworks that add complexity to my own career as builder,  i decided to remake the interior of an ond forge to be the gallery in the middle of nowhere. i like to make frames as art. it is hardwork to build frames. it was hard for my great great grandparents to carry the stones all the way to nowhere, so lets play is even. Now context is abstacter by all symbolic capitals, so here i go back to stone architecture as art, This skin is double sided, since has the interior white gallery walls, and the old stone to the outside, campuflaged in context, Silent yet vibrant.

Finally I reworked the fabric a bit, and clent all, and painted the stone walls in white to have a gallery in the valley. First gallery space in more than 100 years of existance of the place. it was a forge, where they beded steel, then it was storage room for fruits of the gardens, mostly apples and pears. all walls were put up in the middle of XIX century, so i thought the opening piece, the bonus artworks should be as significant as the frame, and natural from context, the huge canvas around. During weeks i photographed most of the nature of the area i went around the forests and the rivers, and pfinally peeled the oldest eucaliptus tree i could find. A huge tree with more that 100 years of root gave its old skins to hang as principal NATURAL WORK, the INTERIOR SKIN opening the series for the forge gallery at negradas. 


LAPIEZA 743 NOWHERE - ONGOING SHOW
http://lapiezalapieza.blogspot.com.es/2013/10/epica-epidermica-anto-lloveras.html 

Now is 2015, and the second gallery SHOWROOM as ART is being developed and will be presented very soon. A new room as art, and a new piece as bonus, perhaps two. Summer is warm and the ocean waves celebrate again and again.

10.08.15

POTS _françoise rohmer_______________________provence 2015___LAPIEZA 938

EL SOL DE FRENTE ***************************************************************************************** ACCIONES NOCTURNAS EN MATSU__25.07.15 MADRID

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Salgo de Madrid por la carretera de Extremadura, como tantas otras veces. El sol de frente, en línea con los ojos me baja los párpados. Ese justiciero sol de julio que quiere no esconderse nunca. Llevo apenas unas horas de vuelta en este asfalto caliente y bien conoocido; la piel me dice que no, que no me quede, que estas horas ya fueron suficientes, que me vaya y vuelva al océano con el que llego de cuerpo en sal. Hace un rato, en Antón Martín, me crucé con Juan Barte, que andaba contento con sus expos de luces ibicencas, quedamos en vernos pronto. Siempre hay tiempo para retomar las series abiertas. Junto al círculo de Bellas Artes capturo una hoja de Catalpa Bignnioides, otra hoja, que coloco a modo de escultura en el bolsillo de mi camisa blanca de manga corta. La tercera hoja. Voy ligero, solo llevo mis fijadores cromáticos usables, en azul y amarillo, básicos en esta temporada en cierre y la cámara. Las torres de ladrillo de los años setenta se apiñan en la salida de Madrid, y tras unos minutos, la carretera va perdiendo la densidad urbana para ganar paisajes amarillentos a jirones. Las naves de mercancías y los campos maltrechos, masa notarial de la futura especulación suburbana, se alternan. Llego al punto de desvío marcado en mi memoria y siento vértigo. Llamo a Ana para confirmar que llego, que voy, que estoy cerca, y me indica que siga, que no es ahí, donde yo estoy. donde ella está. Sonrío aliviado. Cruzo el río y sigo adelante. Encauzo el volante hasta la finca, apenas a unos kilómetros. 

Somos menos de veinte. Algunos conocidos, pocos, Ana, la anfitriona y su compañero Igor, ambos filmados en Madrid hace unos años y Paco, al que tengo en alta estima por su sincera y sutil brutalidad. Paseo en reconocimeinto por la parcela mientras anochece. Nos ponemos cómodos, tomamos unos vinos tintos y comemos ensaladilla sin huevo. Los accionistas presentes piden sus turnos y despliegan su arte de acción ante un público cercano, natural y algo tibio. Paco expone en forma de acción didáctica conferencial, dando su cátedra, recostado, la dificultad de liberar el tercer esfínter, el mental, mientras entubado, y vaciándose de luz, prepara el baile, que activa con otros cuerpos, sobre su alfombra sonora. Los árboles del lugar me interesan, la escenografía máxima es el paisaje nocturno. La nocturnidad. Paseo y fotografío los árboles más grandes y algunas flores. Pasan algunas horas y los visitantes menos activos comienzan a cansarse e impacientarse. Piden salida, piden ayuda, piden clemencia. Piden taxi y desaparecen. La noche es larga y nadie dijo que el ritmo tuviera que ser continuo. 

Seguimos de vinos. Al rato hay una nueva llamada para acercarnos a la casa donde hay propuesta. Todos nos acercamos y miramos por las ventanitas de la cabaña hacia adentro. En la penumbra un cuerpo esbelto se desnuda. La performance exige cuerpo, escenografía, ritmo, y sobre todo concepto. El cuerpo se calza unas medias red de color rojo y unos zapatos negros de tacón. Piernas largas. El cuerpo se levanta y se coloca una inmensa osamenta dorada, una corona animal. La imagen es poderosa. Lo animalizado cobra fuerza mientras el cuerpo trabaja, dentro, su estudio posicional, su estudio habitacional y se va sintiendo cómodo, mientras fuera, cada uno de nosotros, es otro animal furtivo, que cual voyeur mira, por la ventana, con curiosidad el devenir de ese animal que se pliega, gatea y expande sus brazos en espasmos rítmicos, entre lo escultural estático y lo danzante escénico. Los brazos parecen alas. Tras un largo baile final, el cuerpo sale de la casa y camina hacia el bosque. Aquí se produce un inmediato cambio de código y de roles. El paisaje absorbe al animal y le da su mayor esplendor. El contexto natural por fin es escena pura, nítida. El baile se naturaliza y la escena se dinamiza. El animal habla, su voz pide con suavidad que haya algo de furia. Que haya coro. Que haya ladridos. La noche es plena y todo es posible cuando se pide en el momento preciso. Se preparan unas correas con cuerdas y se ata a los que quieren ser perras y se da cuerda a los que prefieren tirar.. Los ladridos y aullidos de perros y perras, son cada vez más sinceros y el erguido animal protagonista, el de la gran osamenta dorada, baila catala y  tregua, como aquellos hermosos famas en alegría. Las luces del otro lado del río brillan, todos los ojos iluminados fijos en la cornamenta dorada que nos alimenta. Así termina. En esta escena tomo algunas intantáneas como parte de la acción. El flash es un elemento escénico que utilizo para dar protagonismo a determinados momentos plásticos. No hay aplausos. La energía ya es alta. 

Sin apenas transición, todos los cuerpos activos cambian de juego y pasan a contorsionarse sobre las sillas reservadas al efecto. Una improvisada aula futura cobra vida con la auto confirmación escénica de cada uno de los agentes participantes, que reclaman un protagonismo agónico sobre las sillas, los microescenarios rotativos, que por un código prefijado en acta de voz, cambian de usuario cada pocos minutos, así cada cuerpo usa y disfruta cada silla una o varias veces, hasta que por extenuación se cierra el bucle, y los artistas bajan el ritmo, y pasan a intimismos conversacionales. Entra la madrugada, y quedamos ya muy pocos, acaso solo los que duermen en la finca y este cuerpo, que fotografía su sol de plástico, y con la camisa llena de carmín, eco de la pulsión final, entra ya en su nuevo día, por el camino de tierra a la pista de asfalto, desierta. Ya es domingo, y con otro inmenso sol, siempre de frente, avanzo por la carretera de Extremadura hacia Madrid.




















Todos los derechos reservados
Acción situacional presencialy y narrativa¡
A.Lloveras 2015

RELATIONAL ART SERIES :::::::::::::::::::::: EXHIBITIONS :::::::::::::_____ 2014 . 2015 _________________________

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EXFOLIATION^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^EXHIBITION #73______





LAPIEZA
avanza este verano hacia su nueva cima. El cuerpo elástico se estira para alacanzar la cota mil. Los artistas en activo celebran cada nueva base, campamentos de impunidad creativa.
La sexta temporada levanta vuelo.


Now on the top of the 6th season
with an average of 12 exhibitions per year.







941 TOMOTO - URBAN JEWELS - MADRID ROTTERDAM LONDON AIX PRAHA
http://tomototomoto.blogspot.com.es/2015/07/jewelsurban-seriesmadrid-london.html

942 PAULA LLOVERAS - BRANCHES - ECO URBANISM - NORWAY

http://lapiezalapieza.blogspot.com.es/search/label/942

943 MIGAS - MARÍA ENRÍQUEZ - MIGAS - MADRID
http://antolloveras.blogspot.com.es/2015/05/las-migas-de-madrid-150505.html

944 MANUEL MAQUEDA - UNA DE CAL - CÁDIZ

http://lapiezalapieza.blogspot.com.es/search/label/944

945 FREDRIK LUND - STUDIO - NORWAY
http://lapiezalapieza.blogspot.com.es/2015/07/studio-fredrik-lund-945-exfoliation.html

946 PAUL DOEMAN - WILD DAYS - LONDON
http://lapiezalapieza.blogspot.com.es/search/label/9467




947 SHAHPARI BEHZADI - BLUE ON YELLOW - IRAN
http://antolloveras.blogspot.com.es/2015/06/shahpari-behzadi-blue-on-yellow.html

948 JEAN-PIERRE LUSSEAU - WHAT ?

http://antolloveras.blogspot.com.es/2015/06/jean-pierre-lusseau-six-fours-les.html

949 RUBÉN LORENZO - CARDBOARD - NATIONA LIBRARY - MADRID
http://antolloveras.blogspot.com.es/2015/05/ruben-lorenzo-biblioteca-nacional.html

950 SINQUENZA - URBAN SURVIVORS - NEDERLAND
http://lapiezalapieza.blogspot.com.es/search/label/950



951 JAVIER PÉREZ ARANDA - ENMASCARADO
http://antolloveras.blogspot.com.es/2015/04/javier-perez-aranda-enmascarado-2015.html

952 POL PARRHESIA - OR HIGHER WATER - MOROCCO
http://lapiezalapieza.blogspot.com.es/search/label/952

953 FRANCISCO MATEOS - MALECÓN - LA HABANA
http://lapiezalapieza.blogspot.com.es/search/label/953

954 ANNA BARANEK - RED RED WINE - PROVENCE 2015

http://antolloveras.blogspot.com.es/2015/06/anna-baranek-provence-2015.html

955 CALL ME ANYTIME - JESÚS LEÓN - MEXICO DF

http://lapiezalapieza.blogspot.com.es/search/label/955

956 KJELL VARVIN - LEMONS - OSLO
http://lapiezalapieza.blogspot.com.es/search/label/956



957 MÁRTA KISS - BACKPACK DOOR BOTTLE - SLOVAK CAMOUFLAGE
http://antolloveras.blogspot.com.es/2015/06/marta-kiss-provence-2015.html

958 FRANÇOISE ROHMER - POTS PROVENCE


959 VALIE ABRAMOVIC -REGINA FIZ- HIROSHIMA BARCELONA
http://antolloveras.blogspot.com.es/2015/06/valie-abramovic-regina-hiroshima-2015.html

960 THE LIGHT IN PROVENCE - ANTO LLOVERAS
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html







ART SERIES #72 ::::::::::::::::::::::::::::::: INCISIONS & DISSECTIONS :::::::::::::::::::::INCISIONES Y DISECCIONES ::::::::::::::::::::::::::::::::::::::::::::::::: LONDON MEXICO MADRID NORWAY CADIZ DOMINICANA_________________________________________________________05.2015


La piel exterior es la publicidad, la capa protectora, brillante aunque áspera e indigesta (no en vano ostenta el monopolio de la violencia), que se ve desde fuera y que protege el interior; la carne nutritiva y suculenta, la privacidad, zona de madurez donde los individuos disfrutan del tesoro de sus propiedades salvaguardadas de la pública voracidad. El hueso opaco, macizo, impenetrable, corazón nuclear y semilla germinal que no tiene sabor ni brillo es la intimidad.

Teoría frutal de la intimidad. 
José Luis Pardo. 


ARTWORKS 16X 927 TO 940 
CLICK ON NUMBERS TO EXTEND



El contexto es un animal abatido.

SOCIOPLASTICS BY ANTO LLOVERAS. 
RELATIONAL CURATOR. 
LONDON 2015.



SOCIOPLASTICS BY ANTO LLOVERAS. 
RELATIONAL CURATOR. 
LONDON 2015.




ART SERIES #71 :::::::::::::::::::::::::::::::::::::::LONDON::::::::::::::::::::::::::::: 

SWEET CORN BRUTALISM :::::::::::::::::::::

:::::04.2015





























GALAXY SERIES
FROZEN HEAT SATELLITES
CURATED BY LLLL

 

 









#70 BUTTER FACTORY::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: MADRID NORWAY CÁDIZ FRANCE CASTILLA BERLIN DOMINICANA MEXICO CITY CROATIA_________________________SPREAD____02.2015


 

ART SERIES #69 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ZERO ZERO::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::2014::::::::::OAXACA LONDON MEXICO CROATIA MADRID OSLO PARIS TRONDHEIM





GALAXY SERIES
FROZEN HEAT SATELLITES
LLLL ART AGENCY
A LLOVERAS
P LLOVERAS



ART SERIES #68 THICK SMOKE_______MADRID CÁDIZ BERLIN LONDON TEHERAN CANNES__**_ 12:2014



ART SERIES | 67 BANK ACCOUNT _______ MEXICO MADRID LONDON CROATIA FRANCE LISBOA OSLO ________________GALAXY SYSTEM 11.2014


867 JESÚS LEÓN – NIGHT WINDS –  MEX DF
868 PAULA LLOVERAS – HANGERS (3) NORWAY
869 PLANCTON – TÓTEM - MADRID
870 RAMÓN SANMIQUEL – ESFINGES -------------- LISBOA
871 BILL VIOLA | LIMBER VILORIO - THE FUTURE IS NOW – MADRID
872 GORO SHIMANO – SKYPE PORTRAITS - LONDON
873 DANINO BOZIC – FUMER TUE | MICROGALLERY - CROATIA
874 MANUEL MAQUEDA – PENUMBRAS -------------- CÁDIZ
875 CLAUDE CHUZEL - ET AU MARCHÉ - PARIS
876 ANTO LLOVERAS – BLUE BAGS_____UNSTABLE SOCIAL SCULPTURE
877 KJELL VARVIN - VARIABLES __ OSLO : NORWAY
878 TOÑO CAMUÑAS | LIFE IS GOOD ------------- MEX DF OAXACA




ART SERIES #66 AERIAL ROOTS | 10.2014 ________________BERLIN MADRID PROVENCE BARCELONA PARIS TRONDHEIM NOVIGRAD LIMA________



>
CLIC ON THE NUMBERS TO ENTER EACH PIECE
>





ART SERIES #65 NAKED EYE | 09.2014 -----------------------------MADRID BERLIN GALICIA NORWAY PARIS MEXICO DOMINICANA CANARIAS CÁDIZ_______SHARP LOAD





SUMMER

BLUE BAGS___________UNSTABLE SOCIAL SCULPTURE_________________________________TRANSLATORIAL____ MADRID BARCELONA BERLÍN CÁDIZ MADRID GALICIA CROATIA MADRID NORWAY MADRID ALICANTE NORWAY BENIDORM ROTTERDAM LONDON MADRID BARCELONA PROVENCE MADRID PRAHA GALICIA _____________________2014-2015______________________ IN CONSTANT USE

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DURING YET ANOTHER HOT SUMMER IN MADRID
I BUY SOME FRUIT AND I CARRY THE BLUE BAGS IN MALASAÑA

IN THE WAY 
WE BUY A RABBIT FOR LUNCH WITH PAULA 
THE UNSTABLE INSTALLATION HAS BEGUN


THE BLUE BAGS, 
MY BODY AND THE CITY, MAKE THE BASIC SET FOR A 
NEW TRANSLATORIAL INSTALLATION.

I PACK MY BAGS
AND
I PASS BY BARCELONA, WITH REGINA FIZ, 
WHERE WE WORK AT EL PALOMAR, WITH RAFA, MARIO ANS MARTA
THEN
I FLY TO BERLIN,
WHERE I MEET PAUL DOEMAN AND DAVID KRAPOOLA




I WORK AND TALK WITH THEM 
FOR TWO WEEKS
UPDTING THEIR ART SERIES FOR LAPIEZA
BOTH ARE ACTIVE ARTIST
AND HAVE PRESENTED MORE THAN 20 ARTWORKS ALREADY.

I START THE NEW SOCIOPLASTIC INSTALLATION, 
THE SOCIAL SCULPTURE
WTH THE BAGS, 
AN EXTENSION OF 
AND 
THE LIGHT SCULPTURE DEVELOPED IN PROVENCE, 
LAST MAY.






DAVID WALKS THE CITY

AND RELAXES HERE AND THERE



PAUL HAS A NICE APPARTMENT IN KREUZBERG 
HE PRODUCES NEW WORKS FOR EXHIBITIONS IN BERLIN
AND NEW FRESH IDEAS FOR LAPIEZA ART SERIES, 
IN CONVERSATION, 
UPDATING THE POWER OF EACH DREWABLE OBJECT.
I BRING HIM LEAVES
I BRING HIM A TUTU
HE LIKES KNIVES
HE LIKES THE BAGS - HE DRAWS THE BAGS






JOB IS DONE IN BERLIN
I HAVE A NEW APPOINTMENT DOWN SOUTH
IN CÁDIZ WITH MANUEL MAQUEDA


I WILL WORK ON THE BEACH 
EXPLORING AND RECORDING NEW INSTALLATIONS AND AUTOMATISMS



I MEET MANUEL MAQUEDA
WHO IS DRAWING LANDSCAPES AND LITTLE ANIMALS
WE GO SIX DAYS TO THE BEACH OF ZAHORA
TO ENJOY THE SUNSET








WIND ARRIVES - LOS VIENTOS DE LEVANTE -
AND I DECIDE FINALLY VISIT THE AMAZING BEACH OF BOLONIA

WHERE I CLIMB THE GIGANTIC DUNE
AND COLLECT SAND IN THE BAGS





BACK IN MADRID
I MEET SOME ARTISTS


AND DISPLAY THE BLUE BAGS AS SCULPTURE AROUND THEM
THS SOCIAL CONCEPT IS NOW EXPANDING



I VISIT MARÍA ENRÍQUEZ AND WE HAVE DRINKS IN A VERY HOT CITY. WE GO TO EL RASTRO, WHERE WE BUY HATS AND MASKS.

I MEET
AND 

TO EXPAND THE PLANCTON SERIES
-

WE VISIT AN EMPTY BUIDING IN THE CENTER OF MADRID







I TRAVEL NORTH TO VISIT ANOTHER SEA 
AND WALK A FEW BEACHES 


BACK IN MADRID

I TALK WITH MARISA CAMINOS
ABOUT THE COLUMN SERIES WITH PLATONIC VOLUMES
THAT SHE HAS WORKED THIS YEAR


SHE DRAWS A NEW SERIES
OF HER LADY BIRDS WITH THE BLUE BAGS


ON SUNDAY, AUGUST THE 31ST, I  HAVE FRESH SPARKLING WATER
AND MOOTH TALKSAT PRADERA 93 WITH ARTIST POL PARRHESIA.
THIS YEAR SHE UPDATED HER URBAN MINIMAL ACTIONS
AT THE HEART OF THE CITY OF MADRID.
IN ONE SHE WENT BLIND DURING FOR 15 MINUTES AT PUERTA DEL SOL
BOTH CLIPS ART THE KICK OFF IN A NEW CHROMATIC SERIES.



FRIDAY
SEPTEMBER THE 5TH
EL INTRUSO GIVES A NEW CONCERT
AS OPENING SEASON





**********
BLUE BAGS FLY
TO CROATIA 
TO TAKE PLACE IN THE STABLE-UNSTABLE 10 DAY PROCESS 
SHOW WITH DANINO BOZIC 


IN PALACE FROM THE XVTH CENTURY NAMED ZUCATTO GALLERY
IN THE CITY OF POREC. 

THE EXHIBITION IS
CURATED BY JERICA ZIHERL, HISTORIAN AND ART CRITIC.


WE GET A WARM WELCOME IN THE SPACE
BY DIRECTOR OF POREC OPEN UNIVERSITY
AND ARTIST SEBASTIJAN VOJOVDA
ALSO CULTURAL MANAGER IN POREC.




IN PARALEL TO THIS SHOW,
A NEW BRANCH OPENS IN THE UNSTABLE INSTALLATION 
THE SAND FROM BOLONIA BEACH DUNE WENT DIRECTLY TO PULA, 
60 KM SOUTH OF POREC,
AS PART OF THE LEMON KISS EXHIBITION,


WHERE THE YELLOW BAG MAKES THE DEBUT.
LEMON KISS IS A SOLO NO SOLO SHOW,  SHOWING 120 ADDS FROM THE ONLINE SERIES OF LAPIEZA, BOTH THE NUMBERED POSTERS FROM 10 EXHIBITIONS, AND A DENSE HORIZON OF TAG-COLLAGES (ALSO NAMED HIPERVÍNCULOS - MAPAS RELACIONALES. ALTOGETHER WITH 100 BRIGHT LEMONS, TWO MEAT CUTS FROM BASEL AND MADRID, STARRING THE SHOW.

TUESDAY, SEPTEMBER THE 16TH PRESENTATION AND ACTIONS IN PULA. 
FRIDAY, SEPTEMBER THE 19TH PRESENTATION AND ACTIONS IN POREC.
THE TWIN SHOWS CROATIA 2014.




DURING THE 5TH DAY OF CONVERSATIONS IN ZUCCATO,
WE GET THE VISIT OF ARTIST PAINTER MILJENKA SEPIC,
WHO IS ALSO PART OF THE LIGHT SCULPTURE IN PROVENCE,
SHE BRINGS ONE OF HER FLOWER PAINTINGS TO THE INSTALLATION,
NOW ABSORBING ARTWORKS FROM ARTISITS.
MILJENKA WILL SOON JOIN LAPIEZA ART SERIES, 
WITH HER MINIMAL TREES.



DURING 6TH DAY OF 
UNSTABLE-STABLE 50% CONVERSATION- INSTALLATION 
IN PALAZZO ZUCCATO IN POREC WE GET THE VISIT OF 
ARTIST SLAVICA MARIN
THAT WALKS AROUND THE INSTALLATION
WITH HER SELF MADE JUNK DRESSES
AS LIVING SCULPTURE.
SlAVICA RUNS AN ART GALLERY IN UMAG, CROATIA.

I TAKE SOME SWIMS
IN THE NARROW BEACHES OF NOVIGRAD


AND WALK AROUND TOWN WITH FRANCISE ROHMER
DIRECTOR OF THE INTERNATIONAL MEETING OF ARTISTS IN PROVENCE
WHO CAME TO MAKE PLANNING FOR THE 10TH MEETING THAT WILL TBE HELD IN 2016 AGAIN IN TOURVES


WE VISIT THE EXHIBITION BY ARTIST VLASTA ZANIC  
AT GALLERY RIGO 
http://galerija-rigo.hr/?w=izlozbe&g=21&id=171
WHERE WE JUMP AS ART
-
THE SHOWS IN POREC AND PULA ARE OVER.
LOTS OF WORK TO EDIT.
I PACK THE MINIMAL PIECES IN A BOX FULL OF IDEAS.
THE BOX TRAVELS TO FRANCE, WHERE IT WILL BE OPENED AGAIN IN 2016,
FOR THE 10TH ANNIVERSARY OF THE PROVENCE SYMPOSIA.
WE CELEBRATE THE DAYS WITH JOY, MY HOSTS HAVE DONE AN MAZING WORK, IM VERY GRATEFUL.
-
I START A NEW JOURNEY, WHERE I PASS BY TRISTE,  IN MY WAY TO VALENCIA, AND THEN MADRID.
SUMMER IS STILL ALIVE. I WALK AND ENJOY THE DAYS.
IN THE STUDIO I START A NEW MOVE ON THE BRAIN INSTALLATION,
THE FRAME-CONTENT INSTALLATION WITH HIGH CULTURE TEXTS.
RE.VIEWING AND RE.READING 500 THEORY BOOKS.


IN THE WEEKEND I VISIT ESTAMPA ARTFAIR IN MATADERO, 
CULTURE CENTER IN THE SOUTH OF MADRID,
INVITED BY ANAMUSMA. WE HAVE WORKED TOGETHER SEVERAL TIMES.


ANAMUSMA IS PRESENTING HER LATEST ARTWORK, A PIECE IN RELATION WITH HER MENSTRUAL PERIOD. THE INSTALLATION IS A WORK-IN-PROCESS, A GROWING INTALLATION, THAT CAMBINES DIFFERENT SIMBOLIC ACTIONS. AS STARTER, SHE EAT A BANANA, THE PLACES A POEM INSIDE THE SKIN, AND THEN STARTS A MUMMYFICATION. WHEN ITS DONE, THE BANANA IS PLACED INSIDE A FRAME, AN UPSIDE-DOWN CHAMPAGNE GLASS.




FROM BASURAMA ART COLLECTIVE
IS ALSO WORKING THIS YEAR IN ESTAMPA.
THEY ARE
PRESENTING LUXO E LIXO, A BIG INFLATED INSTALLATION 
IN THE OUTISDE OF THE ARTFAIR.
THEY BROUGHT THE PIECE THIS SUMMER FORM SAO PAULO, BRAZIL.


I VISIT 
POET AND CHINESE TRANSLATOR
PILAR GONZÁLEZ ESPAÑA
IN HER ATELIER IN THE SOUTH OF MADRID

I ARRIVE WITH A BOTLLE OF RED WINE FROM NAVARRA
AND A SMALL BOOK OF AN OLD XIX CENTYRY PHOTOGRAPHER AS PRESENT

SHE COOKS GREAT FISH WITH PUMPKIN
SHE TALKS A LOT ABOUT HER NEW PROJECTS
LOTS OF OPEN IDEAS

WE FOCUS ON THE ONLINE DOCUMENTARY 
THAT WE WILL SHOOT IN CHINA IN 2015
ABOUT HER NEW RESEARCH-BOOK




I HAVE SOME NEEW MEETINGS
WITH PLANCTON
AT ESPACIO NARANJO
WHERE I MEET
ELEMNT






I FLY TO NORWAY
AND WORK WITH PAULA LLOVERAS
ON THE NEW GALAXY EXHIBITIONS FOR LAPIEZA
PART OF THE FROZEN HEAT SATELLITES 
LAUNCHED LAST YEAR









IM ALSO
GLAD
TO BE GUEST CRITIC AT NTNU




END OF DECEMBER 
 I FLY BACK TO MADRID WHERE I MEET SOME ARTSITS 
AND START ANOTHER SCULPTURE WITH A GREEN NET

HOWEVER,
BLUE BAGS ARE STILL ACTIVE SICE I ALWAYS CARRY THEM WITH ME.
I USE THEM DAILY TO CARRY AROUND OBJECTS, TO DO MY SHOPPING,
PLACE THEM AS TEMPORARY SCULPTURE ON DIFEERENT SCENARIOS,
AND HAVE THEM AROUND NEW BODIES.

IN JANUARY 
2015
AFTER PASSING BY COSTA IBÉRICA
I FLY TO NORWAY AGAIN 
TO WORK 
IN THE NEW STUDIO
 SNOW 
HAS ARRIVED


SO
I FLY BACK 
TO COSTA IBÉRICA
BENIDORM IS A VERY DENSE BEACH
I TAKE A ROOM IN FLOOR 17
WITH VIEWS


I USE NIGHT STILLS OF THE BEACH TO EDIT
THE FLYER FOR
THE
BUTTER FACTORY
NEW ONLINE ARTSHOW BY LAPIEZA 
-
IN FEBRUARY I FLY TO ROTTERDAM
WHERE I MEET THE GREATEST SHIFT ARCHITECTS OF ALL

OANA AND HARM 
HARM AND OANA 
AND JULIA OF COURSE, THEIR BABY DAUGHTER
WE HAVE LAUGHS AND TALKS AND WALKS AND DRINKS
WE ENJOY SUNDAY AT MONSTER BEACH




AFTER SOME DAYS OF FATASTIC WALKS AND SOME SERIOUS AFTERNOON STRETCHINGS IN ROTTERDAM

I FLY TO LONDON 
POPLAR EAST
WHERE I WILL WORK WITH PAUL DOEMAN 
GETTING HIS NEW SHOW OF CUTOUTS READY FOR THE END OF APRIL

I WALK AROUD OLD STREET, SHOREDITCH AND BARBICAN
VISIT GALLERIES AND MUSEUMS
UPDATING THE MOOD FROM PREVIOUS VISITS

I CALL ARTIST AND CRITIC JESÚS ANDRÉS
AND WE GO TO SERPENTINE GALLERY



WE CHECK OUT THE WORKS BY MASTER LEON GOLUB
GREAT SHOW INDEED
WE MOVE TO ICA 
TO HAVE SOME COFEE AND ENJOY THE ONGOING PERFORMANCE 


-
SATURDAY 
APRIL THE 5H
BLUE BAGS MEET BLUE BAGS 
AT



AFTER VISITING MOST OF POPLAR´S ARCHITECTURAL LANDSCAPES
I ORGANICE A NEW PHOTOHOOT WITH PAUL DOEMAN
TO INCORPORATE THE BRUTALIST ARCHITECTURE 
IN THE ANIMATE OBJECTS CONTEXT
WE ALSO VISIT THE FISH MARKET AT 6M
IN THE ISLE OF DOGS
THE SERIES ARE A PREVIOUS ONLINE SHOW
BEFORE THE INSTALLATION AT 5TH BASE
LOTS OF CONTEXT WORK




I KEEP ON RECORDING 
THE EAST PART OF LONDON
AS PART OF THE MEMORY-CONTEXT VIDEOART
FOR MY LATEST EXHIBITON 
TAXIDERMY / THE CITY IS AN ANIMAL 
A NEW EXTENSION 
OF PREVIOUS WORKS IN BIG CITIES



I MEET JAPANESE ARTIST GORO SHIMANO AGAIN
TO WALK AROUND DALSTON AND UPDATE 
THE PORTRAIT SERIES

THE DAY IS BRIGHT


SATURDAY APRIL THE 11TH
WE VISIT DAVE BULL IN WEST LONDON
DESIGNER AND ARTIST

DAVE
HAS BUILT A FORMIDABLE INTERIOR PIECE IN HIS HOUSE
OBJECTS COLLECTED IN 50 YEARS

THE GRAPHICS AND THE OBJECTS COMBINE
IN DELICATE BALANCE IN EVERY WALL
AS A 
MEMORY POP MINIMALIST CONTINUOUS INSTALLATION

WE EAT HAM AND CHEESE
HAVE GOOD WINE AND COFFE
WHILE
DAVE EATS JUST A SMALL SLICE OF PIZZA
AND RECALLS FANTASTIC STORIES OF THE EARLY 60´S IN MANCHESTER
WHEN BOB DYLAN CARRIED LIONS IN THE BACK OF THE CAR

THE CAT JUPMS AROUND

WHILE WE DRINK WINE AND CELEBRATE FRIENDSHIP
WHILE HELICOPTERS FLY ON THE ANNUAL ROWING RACE IN THE RIVER
PLANES COME DOWN EVERY MINUTE

BILL LIGHTS THE FIRE


IN PARALLEL, DURING
LAST WEEK OF APRIL
I CURATE 
THE DIARY OF OBJECT DRAWINGS EXHIBITION
AT BRICK LANE
BY PAUL DOEMAN 



AND AFTER
I HAVE SHOW MY LATEST UNSTABLE INSTALLATION
TAXIDERMY / THE CITY IS AN ANIMAL - EAST LONDON 2015
WITH THE CUTS HUNTED DURING THE LAST 6 WEEKS
THE URBAN VIDEOART AND THE OBJECT SPREADS


THE EAST PART OF LONDON IS ALIVE 24 H
LOVE TO COME BACK LATE AT NIGHT


THE LATEST UPDATE
OF THE RELATIONALSART SERIES

ITS ALREADY MAY SO I PACK MY THINGS
HAVE NICE GOODBYES
AND FLY TO MADRID TO PREPARE MY NEXT TRIPS AND WORKS

UPON ARRIVAL I MEET MY FATHER 
HE LOOKS GREAT 
I TAKE SOME NEW SHIRTS
AND WALK AROUND
THE NEIGHBOURHOOD WITH MARÍA



IT IS ONE YEAR STODAY, SINCE WE BURNED SOME ARTWOKS AS ART AT JACALITO, AS CLOSING ACTION FOR THE PLANCTON PROJECT
WE HAVE DINNER
AT THE HOUSE OF JAVIER PÉREZ ARANDA AND HARIS 

JAVIER IS PREPARING HIS NEW IDEA FOR CRUCE SHOWROOM
AND SOME FRESH CONCEPTS COME UP IN THE CONVERSATION
SINQUENZA IS ALSO AROUND, HE IS ON HIS WAY TO GREECE
AFTER SOME WEEKS WALKING THE PERIPHERY OF CUENCA
LEARNING ABOUT SEEDS, PLANTS AND FLOWERS.

WE EAT ORGANIC PRODUCTS FROM CUENCA AND DRINK SOME TEKILA.
SINQUENZA SHOWS HIS LATEST ARWORKS 
PACKED IN HIS LIGHT BAGS.
THE LIGHTNESS OF SHOWS NOWADAYS IS A MUST



I  MEET JONAY PMATOS
IN A MARKET AT EIGHT
I LOVE MARKETS, AND ONE OF MY FAVS IN MADRID
IS MOSTENSES, IN THE BACK STREETS OF GRAN VIA.
VIA HAVE SOME DRINKS AND UPDATE EACH OTHER
ABOUT LONDON, GALLERIES, VIDEO AND NEW STUDIOS








AN OLD CHINES MAN
SITS BY ME IN ONE OF THE BARS WHILE I WRITE MY DAILY NOTES

HE TOUCHES MY HAIRY ARMS AND WRITES ON THE PAPER
HE SPEAKS NOT A WORD OF SPANISH
WE SMILE AT EACH OTHER

I WILL NEED TO USE A TRANSLATOR




ON THURSDAY
TALKS ARE WITH ANA MATEY
WE DISCUSS ABOUT THE SALLARY THAT THE ARTISTS MUST HAVE BY LAW
AND
WE PREPARE A NEW CONCEPT FOR A PRIVATE LIVE PERFORMANCE.

ANA WILL WORK SOON IN MAROCCO
AND
HOLD HER ANNUAL COLLECTIVE PERFORMANCE DAY AT HER
RESIDENCY OUTSIDE MADRID 
VERY SOON

I BRING HER TO PALENTINO, YET ANOTHER CLASSIC SCENARIO








ON FRIDAY
EL INTRUSO CELEBRATES SESSION 315
AND JUAN CALVI WILL BE PART OF THE SESSION AGAIN
GRAT SOUNDS DURING 2H
AND AFTERWARDS
WE ENJOY GREAT TALKS ABOUT THE CURRENT FORM OF THE ONGOING SOUNDSCAPES
AND THE NEED TO DEFINE AND GENERATE CLEVER SEMANTICS AND TAGS TO DEFINE CERTAIN MOMENTS, STYLES, SITUATIONS AND FEELINGS
INVOLVED IN THE PRODUCTION OF THE WHOLE SERIES BY EL INTRUSO




 I MEET REGINA FIZ
TO PREPARE THE NEW QUEER PERFORMANCES
IN BARCELONA



MY COUSIN MERCEDES COMES FROM COSTA RICA
LOVE TO SEE HER AGAIN

I VISIT THE STUDIO OF TOÑO CAMUÑAS
THAT JUST PASSED BY MADRID AFTER HIS EXHIBITIONS IN OAXACA MEXICO
I PICTURE HIS NEW ARTWORKS
AND ENJOY HIS NEW BOOK


I TAKE THE FAST TRAIN TO BARCELONA
IT RAINS
IT RAINS
I LOVE THE RAIN
FINALLY SOME FRESHNESS
AFTER THE INTENSE HEAT IN MADRID

IT FELT LIKE JULY

I MEET MANAGER MARTA OLIVERES AT EIXMAPLE
AND RE-ACTIVATE THE TAXIDERMY PIECE 
THAT WILL BE SHOWN SOON IN FRANCE


THE CENTER IS FULL OF ELEGANT SHOPS
AND I WALK TOWARDS THE BEACH
FOR MY DAILY SWIM
BEFORE THE 5H PERFORMANCES WITH REGINA FIZ
https://www.youtube.com/watch?v=cg0Qo1URgL4

AUTOMATIC MODELS HAPPEN SOMETIMES
MIRALLES GETS SCALED-------------------------------------------------
I STILL REMEBER THAT DAY WHEN WE JUMPED THE FENCE WITH PABLO REY
AT THE CEMETERY OF IGUALADA
WHIILE MAKING THE CLIPS FOR THE CONGRESS OF ARCHITECTS IN 2009



GREEN HAT
PURPLE PANTS
WHITE SHIRT

LAST DAY 
CELESTE MAKES A VISIT



I AM GLAD MANUELA WON THE LOCAL ELECTIONS IN MADRID
FRESH AIR MOVES AGAIN IN SPANISH POLITICS



I FLY TO MARSEILLE WITH LITTLE LUGGAGE
AS I WILL WORK IN PROVENCE AGAIN SOME DAYS
WITH THE ARTIST INVITED TO THE ANNUAL EXHIBITIONS
I WALK INTENSIVELY AS ART DURING TWO WEEKS
MOSTLY IN THE FIELDS
WHEN THE SUN IS COMING DOWN

PROVENCE AS CANVAS


AIX EN PROVENCE


THE BAGS CARRY SOME SURPRISES
 ARTIST ANNA BARANEK
HAS A LOOK



IRANIAN ARTIST ANELIE VAKILI
EJOYS AFTERNOON TALKS AT TOURVES

WE HAVE A SHORT WALK AND GET LOST


BAGS MEET THE PINK URBAN JEWELS
MICRO WEAR SCULPTURES
THAT SHOW FOR SOME TIME IN MY HANDS


VERNISAGGE AT SIX FOURS LES PLAGES

UNSTABLE INSTALLATION SERIES
VIDEOART
WITH BAGS AS COLOR SATELLITES
PROVENCE WALK AS ART SERIES

ON THE RIGHT
YELLOW BAG  - PURPLE PANTS - WHITE SHIRT
-
ON THE LEFT
BLUE BAG BLACK SHIRT PINK DOT JEWEL AND GREY LIGHT NET



THE LIGHT IS GREAT AT SUNSET
GETS POWER



RUDI BENETIK
EMULATES MUYBRIDGE



THE EXIBITION AT SIX FOURS
SHOW THE VIDEOSERIES
TOGETHER WITH THE YELLOW AND THE BAGS
THE CLOTHES



NEW SWIMS IN THE ROCKS
NEXT TO THE ISLAND


I FLY TO MADRID
TO MEET THE BIG HEAT AGAIN

JUNE HAS JUST BEGUN

ANDRÉS MONTES WORK LATE NIGHTS AT NARANJO
AND MARÍA OPENS A SHOW IN MALASAÑA
THE BOOKFAIR IS SWEET IN THE MIDDAY
AND
MY FATHER
CELEBRATES WITH CHAMPAGNE HIS NEW STATUS


A FULL HEART BURST


I POP IN THE SESSION #322 BY EL INTRUSO
AT PLANETA DE LOS WATTIOS http://elintruso.es
12.06.15 SIEMPRE CON MEJORAS
POLIESTRUCURA Y ORGANICIDAD


I MOVE TO PRAGUE
FOR THE PERFORMANCE QUADRENNIAL

WHERE BOTH BLUE AND YELLOW BAGS
WILL BE PART OF THE ONGOING UNSTABLE SERIES
AS SITUATIONAL FIXERS

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NARRATIVE HERE
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BLUE IS A SECONDARY ELEMENT
AND YELLOW TAKES OVER
HOWEVER
ITS IS DESIRABLE TO EXTEND THE LENGHT OF SOCIAL INSTALLATION
IN EVERY NEW CONTEXT


I WALK AS USUAL TO MEET THE POETRYIN THE CITY
AND FIND SOME BRUTALISM AND BEAUTY





BERLIN BASED CURATOR ARÍSTIDES SANTANA
 IS AROUND THE MEET FACTORY WHERE KITCHEN DIALOGUES
RUN THE B+B AS ART

HE IS PREPARING A NEW SHOW IN CANARY ISLAND
WITH GOOD FRIEND ARTIST JONAY PMATOS
ALREADY PART OF THE BLUE BAGS


I MEET NINTO 
IN A PARTY AND HE JOINS THE TRIP TO LITTLE HANOI
HE IS A SCIENTIST AND ARTIST TOURING AND LECTURING IN PRAGUE
HE ALSO COMES AROUND TO HAVE DINNER AT KITCHEN DIALOGUES
WITH HIS SUPER LIGHT STRIPED MINI BAG


OSCAR AND MARTINKA
AT THE CLOSING ONE OF THEIR LATEST EXHIBITION
IN AN OLD STYLE CANTINE-RESTAURANT
KITHCEN DIALOGUES
AT THE
KO-HI-NOOR FACTORY



MORE WALKS




ON THE MOVE TO THE BEACH
AGAIN
JULY HAS STARTED







  
I SWAM
AND TOUCHED ALL MY PLANTS AT THE GREEN GARDENS
NOW
IM ON THE WAY BACK TO MADRID
MY ASPHALT

BRAIN __ MIMESIS ___SUMMER 2015___________________NARRATIVES :::::::::::::::::::::::::: THEORY MEETS FICTION ------------- NEW BOOKS AHEAD

POL PARRHESIA _____TECHNOLOGIES OF THE SELF_______SELECTED WORKS | 2010 - 2015

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As lonely and vulnerable as possible.
I am here, ready, once again.
Stronger than ever.
With you.




When we meet the work of Parrhesia, 
we see what we don’t see. 

The series of works that Pol Parrhesia has developed in the last years speak mostly about conditions that contain dualities. Absence, power and identity are the dominant subjects in her installations and performances. These subjects are hidden in every stage of her work. The performances by Pol Parrhesia become artifacts that reveal the antagonistic image of what we really see. Not showing by showing is the game Pol Parrhesia likes to play with us. The potential of simple and concise presentations allows Pol to open an internal discussion on the poetics of being, and the idea of being and not being alone. Of course to reach an idea like this one, the art by Pol has taken several steps, so we should recall some of her works to explain the evolution. Lets look at her early sculpture works, the wire and the ball. The wire is a simple wire cloud that at first sight just hugs the light of the sealing in the gallery. When you look closer, you see traces of humanoid shapes in the wire, so the body is there, but faded away. In her next action, the wire is no longer important, and the shadow becomes the main part of the piece. The idea is to be there but not in the obvious form. 

In her city works, crossovers of performance and ritual, Pol explores fragility with humor. In the ball piece, both a sculpture and an action work, Pol takes herself the form of the ball, she is there in the city, trans-mutant and invisible, very light in the idea, heavy and static in the real. If you kick her, you will learn your lesson. The poem remains open. In her online portrait series, she presents herself with pictures of her mother. You see Pol, but she is not there. We meet a mature Pol, as a premonition. In the last years there has been a transition in her works from object based ideas to pure performative pieces. Instead of defining an object, the definition is hidden in the action. The recurrent use of mirrors, and holes in walls and doors, that nvite the viewer to focus on himself has expanded the catalogue of situations by the use of minimal elements. Pol needs almost nothing to make us meet ourselves. When she walks with a mirror, the reflection of the mirror is her camera that includes you in realtime. You are here, with me. Her latest action piece, using the streets as canvas for her performative exercises, allow Pol Parrhesia to explore her own relationship with the visible powers of the city and the invisible feelings of loneliness with others. A highly emotional moment both for her and for her audience. Pol becomes visible by covering her eyes in public, again the minimal artifact that makes her vulnerable as art. Everyones sees her, but she sees nobody, the blindness of being. With you. 

Anto Lloveras. Curator.
Since 2010 has curated and exhibited the art of POL PARRHESIA 
for the relational exhibitions by LAPIEZA 


Identity and nostalgia, the artifact that mediates me and you. 
Selected works 2010-2015 


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FRANCISCO MATEOS Y LA FORMA SOLUBLE__________________ Fragmentos de paisajes pictóricos presentados en escenarios naturales____________07.2015

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En la obra reciente de Mateos, hay un gran salto. Para acercarnos al momento actual, y poder entrar en la forma, primero hemos de romperla, explotarla y contarla desde el origen. Volvemos a la pintura, primero y después a la escultura, ambas en formas mínimas, en formas geométricas simples y en cromáticas cercanas a lo tribal. Después hemos de hablar del paisaje y de la fotografía, con tintes escenográficos y antropológicos. 





Queda rota la forma, en órdenes artísticos puros, que son la base del trabajo de Mateos, las formas de arte en sí mismas y su potencial de disolverse unas en otras como poética artística. La sublimación de los minimalismos. Queda definida la idea, vamos con la ejecución y su significado. En la definición plástica de su concepto de representación. La escultura, la pintura, la instalación en paisaje y la fotografía se instalan como territorio propio del artista castellano. Defino en esta introducción a la obra reciente de Mateos, esta forma, ya no de trabajo sino de resultados, como la forma soluble. Esta forma es propia de los artistas multidisciplinares, que lejos de querer aferrarse a marcas o corrientes, exploran los límites de la poética propia y avanzan con seguridad en senderos alejados del ruido y de los focos, verdaderos exploradores sin red.  Esta forma de trabajo dota a Mateos de un universo propio. 

En sus primeras Anécdotas, la forma escultórica se componía de fragmentos de madera apilados y rotados, con tintes de Arp y de Brancusi, donde lo destellos pictóricos cromáticos revelaban el oficio invisible de pintor. Las esculturas eran acumulaciones volumétrico-cromáticas, prototipos de obras mayores. Tras varias presentaciones en sala, Mateos comienza a trabajar directamente en el paisaje, tanto en Río de la Plata como en Alpacas, Mateos dibuja directamente sobre el territorio, construye escena y activa nuestra relación con el fondo. El contexto. Su historia. La inclusión de nuevas series de anécdotas en los palomares, es ya una colaboración activa con la luz y con la arquitectura vernácula, con lo terroso y lo profundo. La presentación de las series, ya es fotográfica, nos salva tiempo, no hace falta ya que vengas, yo te lo llevo. El trabajo escenográfico y fotográfico es donde el trabajo de Mateos revela de forma evidente, usando su obra como un naturalismo más, notas disueltas en el paisaje.
En ensayos previos, hay micro-urbanismos, que como un abecedario comienza a desplegarse en el paisaje. La progresión del concepto de trabajo, propone ya la inclusión de la naturaleza pictórica en la naturaleza. La forma ya está lista. La inclusión, íntima y efímera de las notas propias en la composición natural, revelan el gran salto. Si las anécdotas rotaban en torno a sí mismas, las piernas volaban sobre las alpacas, el río fluye tranquilo, las palomas de madera sueñan la arquitectura, como en Las Ruinas Circulares de Borges, donde el héroe sueña con todas sus fuerzas otro cuerpo, el paisaje castellano ya sueña a Mateos, que posa su mirada sobre su inmenso lienzo, y aporta en forma de escultura pictórica fragmentada, su nueva poesía, cada uno como un paisaje en miniatura, y todos juntos, sueñan que son ya parte del paisaje y que Mateos nos ofrece para que con él disolvamos la forma.




ANTO LLOVERAS
Comisario Director
2009-2015






DIEZ obras de Mateos para LAPIEZA desde 2011
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


Retrato en la red
LAPIEZA 238 PULPA 
Anécdota (1)
LAPIEZA 459 MOTION 2011 
Anécdota (2)
LAPIEZA 474 PROGRESSION 2011
Palomar del rey
LAPIEZA 580 BABYLON 2012
Alpacas
LAPIEZA 590 FUGAZ 2012
Río de la Plata
LAPIEZA 627 PARTY 2012
Rompe la forma
LAPIEZA 680 DESEO 2013
Fandangos 
LAPIEZA 715 NETA 2013
Nocturno
LAPIEZA 909 BUTTER FACTORY 2015
Anunciación
LAPIEZA 916 SWEET CORN BRUTALISM

BACKPACK_______________OPEN DOOR ___BOTTLE___MÁRTA KISS - PROVENCE____LAPIEZA 957 EXFOLIATION 2015

RED RED RED ___________________ANNA BARANEK _________________________PROVENCE________________LAPIEZA #954______EXFOLIATION 2015


WHAT___________________________JEAN-PIERRE LUSSEAU______________________SIX FOURS LES PLAGES______LAPIEZA 948 ---- EXFOLIATION 2015

______________________STUDIO ERBENOVÁ___________LAPIEZA 974_________________PRAHA 2015

ANOTHER LEAF______RITUAL_____NATURAL SCULPTURE SERIES_______________________________________2015

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THE LEAF IS USED AS PART OF NATURAL RITUAL 
SMALL FRESH DISTINCTION. 
ON WHITE SHIRT.
THEY LASTS FOR SOME HOURS UNTIL THEY DRY.
CAREFULLY SAVED TO EXHIBIT.






1 > THE LIGHT IN AIX PROVENCE - 06.16 - CANALETTO
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html

2 > MADRID YELLOW BAGS - 07.15 - MAGNOLIA - RETIRO
http://antolloveras.blogspot.com.es/2015/06/yellow-bagsunstable-installarton.html

3 > EL SOL DE FRENTE - 07.15 - CATALPA - MATSU
http://antolloveras.blogspot.com.es/2015/08/el-sol-de-frente-acciones-nocturnas-en.html

4 > ÉPICA EPIDÉRMICA - 08.15 - HELECHO - SAN ROQUE 
http://antolloveras.blogspot.com.es/2015/08/epica-epidermica20132015negradas.html




SAUCO____2015

IAIN COLQUHOUN______________GALICIA RURAL___________________20.08.15__________________________VISITAS

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IAIN Y SU MUJER APARECEN POR MI CASA 
ATRAÍDOS POR EL RITUAL DE LOS LIMONES
CHARLAMOS EN EL JARDÍN
SACAN UNAS FOTOS DE LA FACHADA
Y ME REGALAN SU ÚLTIMO LIBRO 
ME CUENTAN DE SUS VIAJES POR GALICIA 
Y DE SUS PASIÓN POR LAS ALDEAS
CORTO UNOS LIMONES
COMO REGALO

 





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