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RUDI BENETIK _______________PROVENCE 2015


LAS PLAZAS VERDES DEL CENTRO SON NUESTROS PULMONES EMOCIONALES ______PERIÓDICO SOMOS MALASAÑA________160615 MADRID

SUMMER

RELATIONAL ART SERIES :::::::::::::::::::::: EXHIBITIONS :::::::::::::_____ 2014 . 2015 _________________________

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ART SERIES #72 ::::::::::::::::::::::::::::::: INCISIONS & DISSECTIONS :::::::::::::::::::::INCISIONES Y DISECCIONES ::::::::::::::::::::::::::::::::::::::::::::::::: LONDON MEXICO MADRID NORWAY CADIZ DOMINICANA_________________________________________________________05.2015


La piel exterior es la publicidad, la capa protectora, brillante aunque áspera e indigesta (no en vano ostenta el monopolio de la violencia), que se ve desde fuera y que protege el interior; la carne nutritiva y suculenta, la privacidad, zona de madurez donde los individuos disfrutan del tesoro de sus propiedades salvaguardadas de la pública voracidad. El hueso opaco, macizo, impenetrable, corazón nuclear y semilla germinal que no tiene sabor ni brillo es la intimidad.

Teoría frutal de la intimidad. 
José Luis Pardo. 


ARTWORKS 16X 927 TO 940 
CLICK ON NUMBERS TO EXTEND



El contexto es un animal abatido.

SOCIOPLASTICS BY ANTO LLOVERAS. 
RELATIONAL CURATOR. 
LONDON 2015.



SOCIOPLASTICS BY ANTO LLOVERAS. 
RELATIONAL CURATOR. 
LONDON 2015.




ART SERIES #71 :::::::::::::::::::::::::::::::::::::::LONDON::::::::::::::::::::::::::::: 

SWEET CORN BRUTALISM :::::::::::::::::::::

:::::04.2015





























GALAXY SERIES
FROZEN HEAT SATELLITES
CURATED BY LLLL

 

 









#70 BUTTER FACTORY::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: MADRID NORWAY CÁDIZ FRANCE CASTILLA BERLIN DOMINICANA MEXICO CITY CROATIA_________________________SPREAD____02.2015


 

ART SERIES #69 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ZERO ZERO::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::2014::::::::::OAXACA LONDON MEXICO CROATIA MADRID OSLO PARIS TRONDHEIM





GALAXY SERIES
FROZEN HEAT SATELLITES
LLLL ART AGENCY
A LLOVERAS
P LLOVERAS



ART SERIES #68 THICK SMOKE_______MADRID CÁDIZ BERLIN LONDON TEHERAN CANNES__**_ 12:2014



ART SERIES | 67 BANK ACCOUNT _______ MEXICO MADRID LONDON CROATIA FRANCE LISBOA OSLO ________________GALAXY SYSTEM 11.2014


867 JESÚS LEÓN – NIGHT WINDS –  MEX DF
868 PAULA LLOVERAS – HANGERS (3) NORWAY
869 PLANCTON – TÓTEM - MADRID
870 RAMÓN SANMIQUEL – ESFINGES -------------- LISBOA
871 BILL VIOLA | LIMBER VILORIO - THE FUTURE IS NOW – MADRID
872 GORO SHIMANO – SKYPE PORTRAITS - LONDON
873 DANINO BOZIC – FUMER TUE | MICROGALLERY - CROATIA
874 MANUEL MAQUEDA – PENUMBRAS -------------- CÁDIZ
875 CLAUDE CHUZEL - ET AU MARCHÉ - PARIS
876 ANTO LLOVERAS – BLUE BAGS_____UNSTABLE SOCIAL SCULPTURE
877 KJELL VARVIN - VARIABLES __ OSLO : NORWAY
878 TOÑO CAMUÑAS | LIFE IS GOOD ------------- MEX DF OAXACA




ART SERIES #66 AERIAL ROOTS | 10.2014 ________________BERLIN MADRID PROVENCE BARCELONA PARIS TRONDHEIM NOVIGRAD LIMA________



>
CLIC ON THE NUMBERS TO ENTER EACH PIECE
>





ART SERIES #65 NAKED EYE | 09.2014 -----------------------------MADRID BERLIN GALICIA NORWAY PARIS MEXICO DOMINICANA CANARIAS CÁDIZ_______SHARP LOAD




BLUE BAGS___________UNSTABLE SOCIAL SCULPTURE_________________________________TRANSLATORIAL____ MADRID BARCELONA BERLÍN CÁDIZ MADRID GALICIA CROATIA MADRID NORWAY MADRID ALICANTE NORWAY BENIDORM ROTTERDAM LONDON MADRID BARCELONA PROVENCE MADRID PRAHA GALICIA _____________________2014-2015______________________ IN CONSTANT USE

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DURING YET ANOTHER HOT SUMMER IN MADRID
I BUY SOME FRUIT AND I CARRY THE BLUE BAGS IN MALASAÑA

IN THE WAY 
WE BUY A RABBIT FOR LUNCH WITH PAULA 
THE UNSTABLE INSTALLATION HAS BEGUN


THE BLUE BAGS, 
MY BODY AND THE CITY, MAKE THE BASIC SET FOR A 
NEW TRANSLATORIAL INSTALLATION.

I PACK MY BAGS
AND
I PASS BY BARCELONA, WITH REGINA FIZ, 
WHERE WE WORK AT EL PALOMAR, WITH RAFA, MARIO ANS MARTA
THEN
I FLY TO BERLIN,
WHERE I MEET PAUL DOEMAN AND DAVID KRAPOOLA




I WORK AND TALK WITH THEM 
FOR TWO WEEKS
UPDTING THEIR ART SERIES FOR LAPIEZA
BOTH ARE ACTIVE ARTIST
AND HAVE PRESENTED MORE THAN 20 ARTWORKS ALREADY.

I START THE NEW SOCIOPLASTIC INSTALLATION, 
THE SOCIAL SCULPTURE
WTH THE BAGS, 
AN EXTENSION OF 
AND 
THE LIGHT SCULPTURE DEVELOPED IN PROVENCE, 
LAST MAY.






DAVID WALKS THE CITY

AND RELAXES HERE AND THERE



PAUL HAS A NICE APPARTMENT IN KREUZBERG 
HE PRODUCES NEW WORKS FOR EXHIBITIONS IN BERLIN
AND NEW FRESH IDEAS FOR LAPIEZA ART SERIES, 
IN CONVERSATION, 
UPDATING THE POWER OF EACH DREWABLE OBJECT.
I BRING HIM LEAVES
I BRING HIM A TUTU
HE LIKES KNIVES
HE LIKES THE BAGS - HE DRAWS THE BAGS






JOB IS DONE IN BERLIN
I HAVE A NEW APPOINTMENT DOWN SOUTH
IN CÁDIZ WITH MANUEL MAQUEDA


I WILL WORK ON THE BEACH 
EXPLORING AND RECORDING NEW INSTALLATIONS AND AUTOMATISMS



I MEET MANUEL MAQUEDA
WHO IS DRAWING LANDSCAPES AND LITTLE ANIMALS
WE GO SIX DAYS TO THE BEACH OF ZAHORA
TO ENJOY THE SUNSET








WIND ARRIVES - LOS VIENTOS DE LEVANTE -
AND I DECIDE FINALLY VISIT THE AMAZING BEACH OF BOLONIA

WHERE I CLIMB THE GIGANTIC DUNE
AND COLLECT SAND IN THE BAGS





BACK IN MADRID
I MEET SOME ARTISTS


AND DISPLAY THE BLUE BAGS AS SCULPTURE AROUND THEM
THS SOCIAL CONCEPT IS NOW EXPANDING



I VISIT MARÍA ENRÍQUEZ AND WE HAVE DRINKS IN A VERY HOT CITY. WE GO TO EL RASTRO, WHERE WE BUY HATS AND MASKS.

I MEET
AND 

TO EXPAND THE PLANCTON SERIES
-

WE VISIT AN EMPTY BUIDING IN THE CENTER OF MADRID







I TRAVEL NORTH TO VISIT ANOTHER SEA 
AND WALK A FEW BEACHES 


BACK IN MADRID

I TALK WITH MARISA CAMINOS
ABOUT THE COLUMN SERIES WITH PLATONIC VOLUMES
THAT SHE HAS WORKED THIS YEAR


SHE DRAWS A NEW SERIES
OF HER LADY BIRDS WITH THE BLUE BAGS


ON SUNDAY, AUGUST THE 31ST, I  HAVE FRESH SPARKLING WATER
AND MOOTH TALKSAT PRADERA 93 WITH ARTIST POL PARRHESIA.
THIS YEAR SHE UPDATED HER URBAN MINIMAL ACTIONS
AT THE HEART OF THE CITY OF MADRID.
IN ONE SHE WENT BLIND DURING FOR 15 MINUTES AT PUERTA DEL SOL
BOTH CLIPS ART THE KICK OFF IN A NEW CHROMATIC SERIES.



FRIDAY
SEPTEMBER THE 5TH
EL INTRUSO GIVES A NEW CONCERT
AS OPENING SEASON





**********
BLUE BAGS FLY
TO CROATIA 
TO TAKE PLACE IN THE STABLE-UNSTABLE 10 DAY PROCESS 
SHOW WITH DANINO BOZIC 


IN PALACE FROM THE XVTH CENTURY NAMED ZUCATTO GALLERY
IN THE CITY OF POREC. 

THE EXHIBITION IS
CURATED BY JERICA ZIHERL, HISTORIAN AND ART CRITIC.


WE GET A WARM WELCOME IN THE SPACE
BY DIRECTOR OF POREC OPEN UNIVERSITY
AND ARTIST SEBASTIJAN VOJOVDA
ALSO CULTURAL MANAGER IN POREC.




IN PARALEL TO THIS SHOW,
A NEW BRANCH OPENS IN THE UNSTABLE INSTALLATION 
THE SAND FROM BOLONIA BEACH DUNE WENT DIRECTLY TO PULA, 
60 KM SOUTH OF POREC,
AS PART OF THE LEMON KISS EXHIBITION,


WHERE THE YELLOW BAG MAKES THE DEBUT.
LEMON KISS IS A SOLO NO SOLO SHOW,  SHOWING 120 ADDS FROM THE ONLINE SERIES OF LAPIEZA, BOTH THE NUMBERED POSTERS FROM 10 EXHIBITIONS, AND A DENSE HORIZON OF TAG-COLLAGES (ALSO NAMED HIPERVÍNCULOS - MAPAS RELACIONALES. ALTOGETHER WITH 100 BRIGHT LEMONS, TWO MEAT CUTS FROM BASEL AND MADRID, STARRING THE SHOW.

TUESDAY, SEPTEMBER THE 16TH PRESENTATION AND ACTIONS IN PULA. 
FRIDAY, SEPTEMBER THE 19TH PRESENTATION AND ACTIONS IN POREC.
THE TWIN SHOWS CROATIA 2014.




DURING THE 5TH DAY OF CONVERSATIONS IN ZUCCATO,
WE GET THE VISIT OF ARTIST PAINTER MILJENKA SEPIC,
WHO IS ALSO PART OF THE LIGHT SCULPTURE IN PROVENCE,
SHE BRINGS ONE OF HER FLOWER PAINTINGS TO THE INSTALLATION,
NOW ABSORBING ARTWORKS FROM ARTISITS.
MILJENKA WILL SOON JOIN LAPIEZA ART SERIES, 
WITH HER MINIMAL TREES.



DURING 6TH DAY OF 
UNSTABLE-STABLE 50% CONVERSATION- INSTALLATION 
IN PALAZZO ZUCCATO IN POREC WE GET THE VISIT OF 
ARTIST SLAVICA MARIN
THAT WALKS AROUND THE INSTALLATION
WITH HER SELF MADE JUNK DRESSES
AS LIVING SCULPTURE.
SlAVICA RUNS AN ART GALLERY IN UMAG, CROATIA.

I TAKE SOME SWIMS
IN THE NARROW BEACHES OF NOVIGRAD


AND WALK AROUND TOWN WITH FRANCISE ROHMER
DIRECTOR OF THE INTERNATIONAL MEETING OF ARTISTS IN PROVENCE
WHO CAME TO MAKE PLANNING FOR THE 10TH MEETING THAT WILL TBE HELD IN 2016 AGAIN IN TOURVES


WE VISIT THE EXHIBITION BY ARTIST VLASTA ZANIC  
AT GALLERY RIGO 
http://galerija-rigo.hr/?w=izlozbe&g=21&id=171
WHERE WE JUMP AS ART
-
THE SHOWS IN POREC AND PULA ARE OVER.
LOTS OF WORK TO EDIT.
I PACK THE MINIMAL PIECES IN A BOX FULL OF IDEAS.
THE BOX TRAVELS TO FRANCE, WHERE IT WILL BE OPENED AGAIN IN 2016,
FOR THE 10TH ANNIVERSARY OF THE PROVENCE SYMPOSIA.
WE CELEBRATE THE DAYS WITH JOY, MY HOSTS HAVE DONE AN MAZING WORK, IM VERY GRATEFUL.
-
I START A NEW JOURNEY, WHERE I PASS BY TRISTE,  IN MY WAY TO VALENCIA, AND THEN MADRID.
SUMMER IS STILL ALIVE. I WALK AND ENJOY THE DAYS.
IN THE STUDIO I START A NEW MOVE ON THE BRAIN INSTALLATION,
THE FRAME-CONTENT INSTALLATION WITH HIGH CULTURE TEXTS.
RE.VIEWING AND RE.READING 500 THEORY BOOKS.


IN THE WEEKEND I VISIT ESTAMPA ARTFAIR IN MATADERO, 
CULTURE CENTER IN THE SOUTH OF MADRID,
INVITED BY ANAMUSMA. WE HAVE WORKED TOGETHER SEVERAL TIMES.


ANAMUSMA IS PRESENTING HER LATEST ARTWORK, A PIECE IN RELATION WITH HER MENSTRUAL PERIOD. THE INSTALLATION IS A WORK-IN-PROCESS, A GROWING INTALLATION, THAT CAMBINES DIFFERENT SIMBOLIC ACTIONS. AS STARTER, SHE EAT A BANANA, THE PLACES A POEM INSIDE THE SKIN, AND THEN STARTS A MUMMYFICATION. WHEN ITS DONE, THE BANANA IS PLACED INSIDE A FRAME, AN UPSIDE-DOWN CHAMPAGNE GLASS.




FROM BASURAMA ART COLLECTIVE
IS ALSO WORKING THIS YEAR IN ESTAMPA.
THEY ARE
PRESENTING LUXO E LIXO, A BIG INFLATED INSTALLATION 
IN THE OUTISDE OF THE ARTFAIR.
THEY BROUGHT THE PIECE THIS SUMMER FORM SAO PAULO, BRAZIL.


I VISIT 
POET AND CHINESE TRANSLATOR
PILAR GONZÁLEZ ESPAÑA
IN HER ATELIER IN THE SOUTH OF MADRID

I ARRIVE WITH A BOTLLE OF RED WINE FROM NAVARRA
AND A SMALL BOOK OF AN OLD XIX CENTYRY PHOTOGRAPHER AS PRESENT

SHE COOKS GREAT FISH WITH PUMPKIN
SHE TALKS A LOT ABOUT HER NEW PROJECTS
LOTS OF OPEN IDEAS

WE FOCUS ON THE ONLINE DOCUMENTARY 
THAT WE WILL SHOOT IN CHINA IN 2015
ABOUT HER NEW RESEARCH-BOOK




I HAVE SOME NEEW MEETINGS
WITH PLANCTON
AT ESPACIO NARANJO
WHERE I MEET
ELEMNT






I FLY TO NORWAY
AND WORK WITH PAULA LLOVERAS
ON THE NEW GALAXY EXHIBITIONS FOR LAPIEZA
PART OF THE FROZEN HEAT SATELLITES 
LAUNCHED LAST YEAR









IM ALSO
GLAD
TO BE GUEST CRITIC AT NTNU




END OF DECEMBER 
 I FLY BACK TO MADRID WHERE I MEET SOME ARTSITS 
AND START ANOTHER SCULPTURE WITH A GREEN NET

HOWEVER,
BLUE BAGS ARE STILL ACTIVE SICE I ALWAYS CARRY THEM WITH ME.
I USE THEM DAILY TO CARRY AROUND OBJECTS, TO DO MY SHOPPING,
PLACE THEM AS TEMPORARY SCULPTURE ON DIFEERENT SCENARIOS,
AND HAVE THEM AROUND NEW BODIES.

IN JANUARY 
2015
AFTER PASSING BY COSTA IBÉRICA
I FLY TO NORWAY AGAIN 
TO WORK 
IN THE NEW STUDIO
 SNOW 
HAS ARRIVED


SO
I FLY BACK 
TO COSTA IBÉRICA
BENIDORM IS A VERY DENSE BEACH
I TAKE A ROOM IN FLOOR 17
WITH VIEWS


I USE NIGHT STILLS OF THE BEACH TO EDIT
THE FLYER FOR
THE
BUTTER FACTORY
NEW ONLINE ARTSHOW BY LAPIEZA 
-
IN FEBRUARY I FLY TO ROTTERDAM
WHERE I MEET THE GREATEST SHIFT ARCHITECTS OF ALL

OANA AND HARM 
HARM AND OANA 
AND JULIA OF COURSE, THEIR BABY DAUGHTER
WE HAVE LAUGHS AND TALKS AND WALKS AND DRINKS
WE ENJOY SUNDAY AT MONSTER BEACH




AFTER SOME DAYS OF FATASTIC WALKS AND SOME SERIOUS AFTERNOON STRETCHINGS IN ROTTERDAM

I FLY TO LONDON 
POPLAR EAST
WHERE I WILL WORK WITH PAUL DOEMAN 
GETTING HIS NEW SHOW OF CUTOUTS READY FOR THE END OF APRIL

I WALK AROUD OLD STREET, SHOREDITCH AND BARBICAN
VISIT GALLERIES AND MUSEUMS
UPDATING THE MOOD FROM PREVIOUS VISITS

I CALL ARTIST AND CRITIC JESÚS ANDRÉS
AND WE GO TO SERPENTINE GALLERY



WE CHECK OUT THE WORKS BY MASTER LEON GOLUB
GREAT SHOW INDEED
WE MOVE TO ICA 
TO HAVE SOME COFEE AND ENJOY THE ONGOING PERFORMANCE 


-
SATURDAY 
APRIL THE 5H
BLUE BAGS MEET BLUE BAGS 
AT



AFTER VISITING MOST OF POPLAR´S ARCHITECTURAL LANDSCAPES
I ORGANICE A NEW PHOTOHOOT WITH PAUL DOEMAN
TO INCORPORATE THE BRUTALIST ARCHITECTURE 
IN THE ANIMATE OBJECTS CONTEXT
WE ALSO VISIT THE FISH MARKET AT 6M
IN THE ISLE OF DOGS
THE SERIES ARE A PREVIOUS ONLINE SHOW
BEFORE THE INSTALLATION AT 5TH BASE
LOTS OF CONTEXT WORK




I KEEP ON RECORDING 
THE EAST PART OF LONDON
AS PART OF THE MEMORY-CONTEXT VIDEOART
FOR MY LATEST EXHIBITON 
TAXIDERMY / THE CITY IS AN ANIMAL 
A NEW EXTENSION 
OF PREVIOUS WORKS IN BIG CITIES



I MEET JAPANESE ARTIST GORO SHIMANO AGAIN
TO WALK AROUND DALSTON AND UPDATE 
THE PORTRAIT SERIES

THE DAY IS BRIGHT


SATURDAY APRIL THE 11TH
WE VISIT DAVE BULL IN WEST LONDON
DESIGNER AND ARTIST

DAVE
HAS BUILT A FORMIDABLE INTERIOR PIECE IN HIS HOUSE
OBJECTS COLLECTED IN 50 YEARS

THE GRAPHICS AND THE OBJECTS COMBINE
IN DELICATE BALANCE IN EVERY WALL
AS A 
MEMORY POP MINIMALIST CONTINUOUS INSTALLATION

WE EAT HAM AND CHEESE
HAVE GOOD WINE AND COFFE
WHILE
DAVE EATS JUST A SMALL SLICE OF PIZZA
AND RECALLS FANTASTIC STORIES OF THE EARLY 60´S IN MANCHESTER
WHEN BOB DYLAN CARRIED LIONS IN THE BACK OF THE CAR

THE CAT JUPMS AROUND

WHILE WE DRINK WINE AND CELEBRATE FRIENDSHIP
WHILE HELICOPTERS FLY ON THE ANNUAL ROWING RACE IN THE RIVER
PLANES COME DOWN EVERY MINUTE

BILL LIGHTS THE FIRE


IN PARALLEL, DURING
LAST WEEK OF APRIL
I CURATE 
THE DIARY OF OBJECT DRAWINGS EXHIBITION
AT BRICK LANE
BY PAUL DOEMAN 



AND AFTER
I HAVE SHOW MY LATEST UNSTABLE INSTALLATION
TAXIDERMY / THE CITY IS AN ANIMAL - EAST LONDON 2015
WITH THE CUTS HUNTED DURING THE LAST 6 WEEKS
THE URBAN VIDEOART AND THE OBJECT SPREADS


THE EAST PART OF LONDON IS ALIVE 24 H
LOVE TO COME BACK LATE AT NIGHT


THE LATEST UPDATE
OF THE RELATIONALSART SERIES

ITS ALREADY MAY SO I PACK MY THINGS
HAVE NICE GOODBYES
AND FLY TO MADRID TO PREPARE MY NEXT TRIPS AND WORKS

UPON ARRIVAL I MEET MY FATHER 
HE LOOKS GREAT 
I TAKE SOME NEW SHIRTS
AND WALK AROUND
THE NEIGHBOURHOOD WITH MARÍA



IT IS ONE YEAR STODAY, SINCE WE BURNED SOME ARTWOKS AS ART AT JACALITO, AS CLOSING ACTION FOR THE PLANCTON PROJECT
WE HAVE DINNER
AT THE HOUSE OF JAVIER PÉREZ ARANDA AND HARIS 

JAVIER IS PREPARING HIS NEW IDEA FOR CRUCE SHOWROOM
AND SOME FRESH CONCEPTS COME UP IN THE CONVERSATION
SINQUENZA IS ALSO AROUND, HE IS ON HIS WAY TO GREECE
AFTER SOME WEEKS WALKING THE PERIPHERY OF CUENCA
LEARNING ABOUT SEEDS, PLANTS AND FLOWERS.

WE EAT ORGANIC PRODUCTS FROM CUENCA AND DRINK SOME TEKILA.
SINQUENZA SHOWS HIS LATEST ARWORKS 
PACKED IN HIS LIGHT BAGS.
THE LIGHTNESS OF SHOWS NOWADAYS IS A MUST



I  MEET JONAY PMATOS
IN A MARKET AT EIGHT
I LOVE MARKETS, AND ONE OF MY FAVS IN MADRID
IS MOSTENSES, IN THE BACK STREETS OF GRAN VIA.
VIA HAVE SOME DRINKS AND UPDATE EACH OTHER
ABOUT LONDON, GALLERIES, VIDEO AND NEW STUDIOS








AN OLD CHINES MAN
SITS BY ME IN ONE OF THE BARS WHILE I WRITE MY DAILY NOTES

HE TOUCHES MY HAIRY ARMS AND WRITES ON THE PAPER
HE SPEAKS NOT A WORD OF SPANISH
WE SMILE AT EACH OTHER

I WILL NEED TO USE A TRANSLATOR




ON THURSDAY
TALKS ARE WITH ANA MATEY
WE DISCUSS ABOUT THE SALLARY THAT THE ARTISTS MUST HAVE BY LAW
AND
WE PREPARE A NEW CONCEPT FOR A PRIVATE LIVE PERFORMANCE.

ANA WILL WORK SOON IN MAROCCO
AND
HOLD HER ANNUAL COLLECTIVE PERFORMANCE DAY AT HER
RESIDENCY OUTSIDE MADRID 
VERY SOON

I BRING HER TO PALENTINO, YET ANOTHER CLASSIC SCENARIO








ON FRIDAY
EL INTRUSO CELEBRATES SESSION 315
AND JUAN CALVI WILL BE PART OF THE SESSION AGAIN
GRAT SOUNDS DURING 2H
AND AFTERWARDS
WE ENJOY GREAT TALKS ABOUT THE CURRENT FORM OF THE ONGOING SOUNDSCAPES
AND THE NEED TO DEFINE AND GENERATE CLEVER SEMANTICS AND TAGS TO DEFINE CERTAIN MOMENTS, STYLES, SITUATIONS AND FEELINGS
INVOLVED IN THE PRODUCTION OF THE WHOLE SERIES BY EL INTRUSO




 I MEET REGINA FIZ
TO PREPARE THE NEW QUEER PERFORMANCES
IN BARCELONA



MY COUSIN MERCEDES COMES FROM COSTA RICA
LOVE TO SEE HER AGAIN

I VISIT THE STUDIO OF TOÑO CAMUÑAS
THAT JUST PASSED BY MADRID AFTER HIS EXHIBITIONS IN OAXACA MEXICO
I PICTURE HIS NEW ARTWORKS
AND ENJOY HIS NEW BOOK


I TAKE THE FAST TRAIN TO BARCELONA
IT RAINS
IT RAINS
I LOVE THE RAIN
FINALLY SOME FRESHNESS
AFTER THE INTENSE HEAT IN MADRID

IT FELT LIKE JULY

I MEET MANAGER MARTA OLIVERES AT EIXMAPLE
AND RE-ACTIVATE THE TAXIDERMY PIECE 
THAT WILL BE SHOWN SOON IN FRANCE


THE CENTER IS FULL OF ELEGANT SHOPS
AND I WALK TOWARDS THE BEACH
FOR MY DAILY SWIM
BEFORE THE 5H PERFORMANCES WITH REGINA FIZ
https://www.youtube.com/watch?v=cg0Qo1URgL4

AUTOMATIC MODELS HAPPEN SOMETIMES
MIRALLES GETS SCALED-------------------------------------------------
I STILL REMEBER THAT DAY WHEN WE JUMPED THE FENCE WITH PABLO REY
AT THE CEMETERY OF IGUALADA
WHIILE MAKING THE CLIPS FOR THE CONGRESS OF ARCHITECTS IN 2009



GREEN HAT
PURPLE PANTS
WHITE SHIRT

LAST DAY 
CELESTE MAKES A VISIT



I AM GLAD MANUELA WON THE LOCAL ELECTIONS IN MADRID
FRESH AIR MOVES AGAIN IN SPANISH POLITICS



I FLY TO MARSEILLE WITH LITTLE LUGGAGE
AS I WILL WORK IN PROVENCE AGAIN SOME DAYS
WITH THE ARTIST INVITED TO THE ANNUAL EXHIBITIONS
I WALK INTENSIVELY AS ART DURING TWO WEEKS
MOSTLY IN THE FIELDS
WHEN THE SUN IS COMING DOWN

PROVENCE AS CANVAS


AIX EN PROVENCE


THE BAGS CARRY SOME SURPRISES
 ARTIST ANNA BARANEK
HAS A LOOK



IRANIAN ARTIST ANELIE VAKILI
EJOYS AFTERNOON TALKS AT TOURVES

WE HAVE A SHORT WALK AND GET LOST


BAGS MEET THE PINK URBAN JEWELS
MICRO WEAR SCULPTURES
THAT SHOW FOR SOME TIME IN MY HANDS


VERNISAGGE AT SIX FOURS LES PLAGES

UNSTABLE INSTALLATION SERIES
VIDEOART
WITH BAGS AS COLOR SATELLITES
PROVENCE WALK AS ART SERIES

ON THE RIGHT
YELLOW BAG  - PURPLE PANTS - WHITE SHIRT
-
ON THE LEFT
BLUE BAG BLACK SHIRT PINK DOT JEWEL AND GREY LIGHT NET



THE LIGHT IS GREAT AT SUNSET
GETS POWER



RUDI BENETIK
EMULATES MUYBRIDGE



THE EXIBITION AT SIX FOURS
SHOW THE VIDEOSERIES
TOGETHER WITH THE YELLOW AND THE BAGS
THE CLOTHES



NEW SWIMS IN THE ROCKS
NEXT TO THE ISLAND


I FLY TO MADRID
TO MEET THE BIG HEAT AGAIN

JUNE HAS JUST BEGUN

ANDRÉS MONTES WORK LATE NIGHTS AT NARANJO
AND MARÍA OPENS A SHOW IN MALASAÑA
THE BOOKFAIR IS SWEET IN THE MIDDAY
AND
MY FATHER
CELEBRATES WITH CHAMPAGNE HIS NEW STATUS


A FULL HEART BURST


I POP IN THE SESSION #322 BY EL INTRUSO
AT PLANETA DE LOS WATTIOS http://elintruso.es
12.06.15 SIEMPRE CON MEJORAS
POLIESTRUCURA Y ORGANICIDAD


I MOVE TO PRAGUE
FOR THE PERFORMANCE QUADRENNIAL

WHERE BOTH BLUE AND YELLOW BAGS
WILL BE PART OF THE ONGOING UNSTABLE SERIES
AS SITUATIONAL FIXERS

++++
NARRATIVE HERE
++++


BLUE IS A SECONDARY ELEMENT
AND YELLOW TAKES OVER
HOWEVER
ITS IS DESIRABLE TO EXTEND THE LENGHT OF SOCIAL INSTALLATION
IN EVERY NEW CONTEXT


I WALK AS USUAL TO MEET THE POETRYIN THE CITY
AND FIND SOME BRUTALISM AND BEAUTY





BERLIN BASED CURATOR ARÍSTIDES SANTANA
 IS AROUND THE MEET FACTORY WHERE KITCHEN DIALOGUES
RUN THE B+B AS ART

HE IS PREPARING A NEW SHOW IN CANARY ISLAND
WITH GOOD FRIEND ARTIST JONAY PMATOS
ALREADY PART OF THE BLUE BAGS


I MEET NINTO 
IN A PARTY AND HE JOINS THE TRIP TO LITTLE HANOI
HE IS A SCIENTIST AND ARTIST TOURING AND LECTURING IN PRAGUE
HE ALSO COMES AROUND TO HAVE DINNER AT KITCHEN DIALOGUES
WITH HIS SUPER LIGHT STRIPED MINI BAG


OSCAR AND MARTINKA
AT THE CLOSING ONE OF THEIR LATEST EXHIBITION
IN AN OLD STYLE CANTINE-RESTAURANT
KITHCEN DIALOGUES
AT THE
KO-HI-NOOR FACTORY



MORE WALKS




ON THE MOVE TO THE BEACH
AGAIN
JULY HAS STARTED







  
I SWAM
AND TOUCHED ALL MY PLANTS AT THE GREEN GARDENS
NOW
IM ON THE WAY BACK TO MADRID
MY ASPHALT

BRAIN __ MIMESIS ___SUMMER 2015___________________NARRATIVES :::::::::::::::::::::::::: THEORY MEETS FICTION ------------- NEW BOOKS AHEAD

POL PARRHESIA _____TECHNOLOGIES OF THE SELF_______SELECTED WORKS | 2010 - 2015

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As lonely and vulnerable as possible.
I am here, ready, once again.
Stronger than ever.
With you.




When we meet the work of Parrhesia, 
we see what we don’t see. 

The series of works that Pol Parrhesia has developed in the last years speak mostly about conditions that contain dualities. Absence, power and identity are the dominant subjects in her installations and performances. These subjects are hidden in every stage of her work. The performances by Pol Parrhesia become artifacts that reveal the antagonistic image of what we really see. Not showing by showing is the game Pol Parrhesia likes to play with us. The potential of simple and concise presentations allows Pol to open an internal discussion on the poetics of being, and the idea of being and not being alone. Of course to reach an idea like this one, the art by Pol has taken several steps, so we should recall some of her works to explain the evolution. Lets look at her early sculpture works, the wire and the ball. The wire is a simple wire cloud that at first sight just hugs the light of the sealing in the gallery. When you look closer, you see traces of humanoid shapes in the wire, so the body is there, but faded away. In her next action, the wire is no longer important, and the shadow becomes the main part of the piece. The idea is to be there but not in the obvious form. 

In her city works, crossovers of performance and ritual, Pol explores fragility with humor. In the ball piece, both a sculpture and an action work, Pol takes herself the form of the ball, she is there in the city, trans-mutant and invisible, very light in the idea, heavy and static in the real. If you kick her, you will learn your lesson. The poem remains open. In her online portrait series, she presents herself with pictures of her mother. You see Pol, but she is not there. We meet a mature Pol, as a premonition. In the last years there has been a transition in her works from object based ideas to pure performative pieces. Instead of defining an object, the definition is hidden in the action. The recurrent use of mirrors, and holes in walls and doors, that nvite the viewer to focus on himself has expanded the catalogue of situations by the use of minimal elements. Pol needs almost nothing to make us meet ourselves. When she walks with a mirror, the reflection of the mirror is her camera that includes you in realtime. You are here, with me. Her latest action piece, using the streets as canvas for her performative exercises, allow Pol Parrhesia to explore her own relationship with the visible powers of the city and the invisible feelings of loneliness with others. A highly emotional moment both for her and for her audience. Pol becomes visible by covering her eyes in public, again the minimal artifact that makes her vulnerable as art. Everyones sees her, but she sees nobody, the blindness of being. With you. 

Anto Lloveras. Curator.
Since 2010 has curated and exhibited the art of POL PARRHESIA 
for the relational exhibitions by LAPIEZA 


Identity and nostalgia, the artifact that mediates me and you. 
Selected works 2010-2015 


thicket
update
1hour28min36sec
timeline
theSenseOfLife4.0
peephole
soul
pueblo

FRANCISCO MATEOS Y LA FORMA SOLUBLE__________________ Fragmentos de paisajes pictóricos presentados en escenarios naturales____________07.2015

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En la obra reciente de Mateos, hay un gran salto. Para acercarnos al momento actual, y poder entrar en la forma, primero hemos de romperla, explotarla y contarla desde el origen. Volvemos a la pintura, primero y después a la escultura, ambas en formas mínimas, en formas geométricas simples y en cromáticas cercanas a lo tribal. Después hemos de hablar del paisaje y de la fotografía, con tintes escenográficos y antropológicos. 





Queda rota la forma, en órdenes artísticos puros, que son la base del trabajo de Mateos, las formas de arte en sí mismas y su potencial de disolverse unas en otras como poética artística. La sublimación de los minimalismos. Queda definida la idea, vamos con la ejecución y su significado. En la definición plástica de su concepto de representación. La escultura, la pintura, la instalación en paisaje y la fotografía se instalan como territorio propio del artista castellano. Defino en esta introducción a la obra reciente de Mateos, esta forma, ya no de trabajo sino de resultados, como la forma soluble. Esta forma es propia de los artistas multidisciplinares, que lejos de querer aferrarse a marcas o corrientes, exploran los límites de la poética propia y avanzan con seguridad en senderos alejados del ruido y de los focos, verdaderos exploradores sin red.  Esta forma de trabajo dota a Mateos de un universo propio. 

En sus primeras Anécdotas, la forma escultórica se componía de fragmentos de madera apilados y rotados, con tintes de Arp y de Brancusi, donde lo destellos pictóricos cromáticos revelaban el oficio invisible de pintor. Las esculturas eran acumulaciones volumétrico-cromáticas, prototipos de obras mayores. Tras varias presentaciones en sala, Mateos comienza a trabajar directamente en el paisaje, tanto en Río de la Plata como en Alpacas, Mateos dibuja directamente sobre el territorio, construye escena y activa nuestra relación con el fondo. El contexto. Su historia. La inclusión de nuevas series de anécdotas en los palomares, es ya una colaboración activa con la luz y con la arquitectura vernácula, con lo terroso y lo profundo. La presentación de las series, ya es fotográfica, nos salva tiempo, no hace falta ya que vengas, yo te lo llevo. El trabajo escenográfico y fotográfico es donde el trabajo de Mateos revela de forma evidente, usando su obra como un naturalismo más, notas disueltas en el paisaje.
En ensayos previos, hay micro-urbanismos, que como un abecedario comienza a desplegarse en el paisaje. La progresión del concepto de trabajo, propone ya la inclusión de la naturaleza pictórica en la naturaleza. La forma ya está lista. La inclusión, íntima y efímera de las notas propias en la composición natural, revelan el gran salto. Si las anécdotas rotaban en torno a sí mismas, las piernas volaban sobre las alpacas, el río fluye tranquilo, las palomas de madera sueñan la arquitectura, como en Las Ruinas Circulares de Borges, donde el héroe sueña con todas sus fuerzas otro cuerpo, el paisaje castellano ya sueña a Mateos, que posa su mirada sobre su inmenso lienzo, y aporta en forma de escultura pictórica fragmentada, su nueva poesía, cada uno como un paisaje en miniatura, y todos juntos, sueñan que son ya parte del paisaje y que Mateos nos ofrece para que con él disolvamos la forma.




ANTO LLOVERAS
Comisario Director
2009-2015






DIEZ obras de Mateos para LAPIEZA desde 2011
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


Retrato en la red
LAPIEZA 238 PULPA 
Anécdota (1)
LAPIEZA 459 MOTION 2011 
Anécdota (2)
LAPIEZA 474 PROGRESSION 2011
Palomar del rey
LAPIEZA 580 BABYLON 2012
Alpacas
LAPIEZA 590 FUGAZ 2012
Río de la Plata
LAPIEZA 627 PARTY 2012
Rompe la forma
LAPIEZA 680 DESEO 2013
Fandangos 
LAPIEZA 715 NETA 2013
Nocturno
LAPIEZA 909 BUTTER FACTORY 2015
Anunciación
LAPIEZA 916 SWEET CORN BRUTALISM


BACKPACK_______________OPEN DOOR ___BOTTLE___MÁRTA KISS - PROVENCE____LAPIEZA 957 EXFOLIATION 2015

RED RED RED ___________________ANNA BARANEK _________________________PROVENCE________________LAPIEZA #954______EXFOLIATION 2015

WHAT___________________________JEAN-PIERRE LUSSEAU______________________SIX FOURS LES PLAGES______LAPIEZA 948 ---- EXFOLIATION 2015

SHAHPARI BEHZADI______________________BLUE ON YELLOW____LAPIEZA #947_PROVENCE 2015 EXFOLIATION

CARTÓN_____________________RUBÉN LORENZO - BIBLIOTECA NACIONAL_________________LAPIEZA 949______MADRID 2015 EXFOLIATION

JAVIER PÉREZ ARANDA__________________________ENMASCARADO_____________________LAPIEZA 951 EXFOLIATION

VALIE ABRAMOVIC REGINA________________________SALA HIROSHIMA 2015 BARCELONA___CON MARTA OLIVERES Y ARTISTAS INVITADOS____POTENCIALES CROMÁTICOS_____________________LAPIEZA 959 EXFOLIATION

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TRAS LA ACCIÓN ENSALADA TIBIA DEL VERANO PASADO EN EL PALOMAR 
CON LAS FANTÁSTICAS RAFA Y MARIO, VOLVEMOS A BARCELONA, AL POBLE SEC, PARA EXTENDER LA MEMORIA DE REGINA FIZ EN SU VARIANTE ESTÁTICA Y ARMADA. EN SU ESTADO VALIE, EN SU CUERPO MARINA. 

LOS TRES DÍAS DE ACCIÓN SON ESPECIALES. CPOMO EN CADA TRÍPTICO, SE FIJAN LOS TIEMPOS DE APERYIRA, INTERMEDIO Y CIERRE. LAS VISITAS SON MUCHAS Y VARIADAS, CON LO QUE EL TRABAJO ES AMENO E INTENSO.

LAS MAÑANAS SON FRESCAS Y VOY DE PASEO POR EL ENSANCHE, LAS COMIDAS FRUGALES CON MARTA Y EL BAÑO DE TARDE EN LA PLAYA DE La BARCELONETA, ANTES DE LA ACCIÓN EN SALA. 

NOS JUNTAMOS CADA A LAS CINCO Y TRABAJAMOS HASTA LAS ONCE. 
DESPUÉS DUCHA 
Y CENA RICA DEL COCINERO DE HIROSHIMA.






Timeout 


APUNTO EN ESTA ACCIÓN
MIS
POTENCIALES CROMÁTICOS A DESARROLLAR EN MI SIGUIENTE RESIDENCIA EN FRANCIA. 
:
CAMISA BLANCA
PANTALÓN MORADO
ZAPATOS NEGROS
:
:
LA INSTALACIÓN FUE PRESENTADA EN PROVENCE EN JUNIO DE 2015, 
AL MES SIGUIENTE DE ESTA ACCIÓN EN BARCELONA
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html
JUNTO CON LA BOLSA AMARILLA
http://antolloveras.blogspot.com.es/2015/06/yellow-bagsunstable-installarton.html

TRAS FIJAR LA LUZ EN LARGOS PASEOS
POR LOS CAMPOS FRANCESES




LA SERIE DE VIDEOS EN ACCIÓN DIRECTA
GRABADOS Y EDITADOS EN SALA
COMO PARTE DE LA ACCIÓN
SE ALMACENAN EN ESTE CANAL ONLINE
Y
SERÁN USADOS EN LA PRÓXIMA ACCIÓN, EN NUEVA YORK 
A CUATRO PROYECCIONES EN 2016. 
ANTES HABRÁ OTRA ENTREGA, LA TERCERA EN GESTACIÓN.

SUAMANDO CAPAS AL CUADRO


VIDEOS AQUÍ PARA LOS QUE GUSTEN 

MIRAR LO QUE MIRABA AQUELLAS TARDES
https://www.youtube.com/REGINAFIZSANTOS





OTHER WORKS WITH REGINA FIZ 2009-2015

HERE
http://antolloveras.blogspot.com.es/2014/04/regina-fiz-decalogo-2009-2013-lapieza.html


ONGOING SERIES

PURPLE LEGS__________________ BODY SCULPTURE SERIES _____LONDON PROVENCE

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IT ALL STARTS
SOME YEARS AGO

DURING ESCENA CONTEMPORÁNEA, THE PERFORMANCE FESTIVAL IN MADRID DIRECTED THEN BY FEIJOO,
 I SAW THIS AMAZING PERFORMANCE
ABOUT A MAN THAT PUTS HIS ARM UP

OK
THIS WAS A PLAY
A CONSTRUCT OF A DIRECTOR-ACTOR
THAT PLAYED THE ROLE HUNDREDS OF DAYS
ALL AROUND THE WORLD

HOWEVER
I LIKED THE SHOW

SO
TODAY
TEN YEARS AFTER




I PLAY
MY OWN SHOW
WITH NO AUDIENCE






THE CITY IS A GREAT SCENARIO
TO USE
IN PRIVATE PERFORMANCES AND RITUALS
SO
IN THIS REPETITIOUS CHOREOGRAPHY
MY LEGS WENT UP 100 TIMES
AS PART OF THE
USE THE CITY
AS ART SERIES

ALSO RELATED TO THE MONOCHROMES I LIKE TO DISPLAY
AND THE RESPECT I HAVE
FOR ERWIN WURM IN HIS INSTANT INSTALLATIONS



THIS SPRING IN LONDON
PERHAPS MORE
WITH THOSE NICE BOOTS
UNDER THE SUN THE CLOUDS AND LITTLE RAIN
WITH GEAT SOUNDTRACK BY THE NEVERENDING TRAFFIC IN LONDON





PURPLE PANTS ARE STILL IN USE


SCULPTURES PART OF
URBAN TAXIDERMY




BEST BEST
LOVE LOVE



PROVENCE 2015
30 KM PERFORMANCE WALK WITH M+K
BRAS WAS EMPTY









MIGAS------------------------------------------------------------------MADRID - 050515 - ARGÜELLES_________________________MARÍA ENRÍQUEZ.........LAPIEZA #943 EXFOLIACIÓN

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RECIÉN LLEGADO DE MI NUEVA ESTANCIA EN LONDRES
PASEAMOS POR ARGÜELLES 
CON MARÍA ENRÍQUEZ 
COMEMOS TAPAS DE ALIOLI, CALLOS Y MIGAS
EN UN HERMOSO BAR DE LA CALLE DONOSO CORTÉS
TODO SABROSO
LAS MIGAS MUESTRAN UN NUEVO ROSTRO 


ART AND FOOD SERIES








INSTAGRAM MOOD



CALLE FUENCARRAL








YELLOW BAG___________SITUATION SATELLITE_________________ MADRID CROATIA PROVENCE MADRID BRATISLAVA PRAHA GALICIA_____2014.2015---------------------UNSTABLE INSTALLATION SERIES

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07 2014 PRESENTATION CLIP MADRID BY LLLL

09 2014 CROATIA - LEMON KISS SOLO SHOW - PULA

http://antolloveras.blogspot.com.es/2014/09/lemon-kiss-ritual.html



05 2015 THE LIGHT IN PROVENCE - 
PERFORMANCE 2 WEEKS

http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html - 



30 KM WALK + K
I BRING YOU FLOWERS


VERNISSAGE TOURVES 



SIX FOURS LES PLAGES


BACK IN MADRID MADRID 



06.15 



TANGENCIES TO THE BOOK ARTFAIR




NIGHT MEETINGS AFTER THE SESSION BY EL INTRUSO
CALLE PALMA ELECTRIC DJ SETS

MAYA SARAVIA + JPA + HARIS

EN EL CAFÉ MAHÓN DE LA PLAZA DEL DOS DE MAYO 
CON EDUARDO CAJAL - 


ALWAYS NICE TO FIND A FRESH URBAN KRAPOOLA 




MEAT 107 NAILS - 5X BLACK CALLE BALLESTA

THE CITY IS AN ANIMAL
https://www.youtube.com/watch?v=NzMXtLLDEOQ


NEW LEAF
HOLA VERDE URBANO
ARTÍCULO SOBRE LA IMPORTANCIA DEL VERDE EN MADRID

WALKING AROUND I MEET YAN NAZCA
AND THE IDEA IS TO WALK TO RETIRO PARK
AND HAVE HIM FACING A BIG TREE

AFTER SILVER NET PICTURE
WE WALK TO NOVICIADO CON MARÍA ENRÍQUEZ


 

THE BLACK 
ABSORBS THE SHADOW
AND GIVES GLOW TO THE BAG
WITH THE HIDDEN PRESENCE OF THE TREE OF LOVE 


HEAT COMES AND GOES IN MADRID
WE GO TO HAVE OYSTERS AT MARIAS FAVOURITE TRADITIONAL BAR
I CUT MEAT 108 EQUILATERO AT THE ENTRANCE

<
<
22 JUNE 15 I MOVE TO BOHEMIA


LUNCHROOM

MASS


FOR THE QUADRIENNIAL OF PERFORMANCE AND SCENOGRAPHY
+++ 
EXTENDED NARRATIVE HERE




WITH THE KITCHEN DIALGOUES TEAM AT AMBASSADORS HOUSE
UPON ARRIVAL
HAHA

BREAKFAST
STUDIO


CHERRY TREES
37 SECONDS VIDEOART SERIES


LOUNGE VIDEO AWARENESS
EATABLE SHOW

ROUTINE
EXHIBITION  AT NATIONAL GALLERY


PERFORMANCE 




AMAPOLA





LITTLE HANOI
SOUTH PRAGUE

EATING AND DRINKING FROM STREET RESATURANTS


DREAMLAND


FINAL ACTION IN PRAHA
IN COLD WATER


TRIP TO SPAIN TO TAKE SOME SAND AT THE BEACH
AND READ SOME BOOKS





STAINS AR SO HOT



I WORK FULL SCHEDULE AT THE BEACH



I THINK ON THE PAINTINGS
BY CLAUDIO FORADORI
AND SOME NEW CONSTELLATIONS TO BE NAMED



PLANTS
ARE
ALWAYS
HERE



I LOVE THE BEACH
I LOVE LOVE THE BEACH





I READ 25 BOOKS AT MY BEACH 
ROCK
http://antolloveras.blogspot.com.es/2015/07/brain-summer-2015.html

I WRITE SOME DIRTY POETRY
AND START 
A NEW BOOK
ABOUT TWENTY ARTISTS
THAT HAVE WORKED WITH ME 
IN THE LAST 
5 YEARS
************************************************


I DRIVE TO MADRID
WITH AN AMAZING AFTERNOON LIGHT IN THE ROAD
TO PARTICIPATE IN A MEETING OF PERFORMANCE ARTISTS
ORGANICED BY ANA MATEY
IT IS 
OUT IN THE FILEDS
IT IS 
A NIGHT MEETING
AN IDEA I GAVE HER WHEN ME MET LAST MONTH







PINK::::::::::::::::::::::::::::::::::::::::::::::::::UNSTABLE INSTALLATION SERIES____________________2014.2015

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PRAGUE QUADRENNIAL OF PERFORMANCE AND DESIGN____________06.2015___________WHAT IS THE WORD_____CHROMATIC SITUATIONAL FIXERS__________________IN COLD WATER________________________________________UNSTABLE SOCIAL INSTALLATION SERIES

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In my favourite poem by SAMUEL BECKETT, the title of the poem already says it ALL. The poem is short and plays with rythm and content. The first reading gives you such a flavour, that makes it unforgetable. I read it sometimes out loud for best friends. Once you have been there, you will always carry it with you. 

BECKETT asks himself, 
BECKETT asks you and me.






WHAT IS THE WORD. 







As resident in Prague i wonder what the word is. And also what the idea is. I walk around with a yellow bag that is already a heavy carrier of memory. I visit artshows in the day with the bag and picture artists in a variety of situations. I also have the blue bags in a small envelope, hidden. I respect the art DANIEL BUREN did in the sixties, working  in the peripheries of galleries, and i love the coloured sticks that CADERE brought to all the shows he was not invited to. Both are elegant yet evident. Im playing another game in an invisble-visible way. BUREN was displaying his tripes around the art hotspots to catch attention. Also cadere. The object of the art was to be seen. The coneptual idea of the monochrome bag as satellites of my basic colured clothes come from my long process with situations, where i have benn working not only with objects, with online memory, and trayectories, but also with the purpose of art as art. THE IDEA. If i carry the bags, is not only for an aesthetical reason, but also,  because i need to carry my camera, my phone and other pieces of art from here to there. So the bag is used as object. The artwork has function. That subverts the idea of constant fetish and dead nature that so many art pieces that we enjoy at galleries are. So i carry the bag and picture it, coming up with a new definition, i use them as  situational fixeres. The ongoing performance is natural, no audience needed in the city. I like the confort of having the sculpture with me at all times, attached. Of course that is just a triggger to flow in a context and generate situations that will enlarge the beauty of days, in constant collaboration with other bodies. The negotiation of affection is part of the ritual. BLUE BAGS already had some exposure during the last year in several countries. YELLOW BAG is still emerging. The game remains open.


WHAT IS THE WORD.









YELLOW BAG >>>>>>>>>>>>>>>>>>>>>>>>>>> 
http://antolloveras.blogspot.com.es/2015/06/yellow-bagsunstable-installarton.html 

BLUE BAGS  >>>>>>>>>>>>>>>>>>>>>>>>>>>
http://antolloveras.blogspot.com.es/2014/08/blue-bags-2014-madrid-berlin-cadiz.html 






NARRATIVE BLOCK AHEAD




Upon arrival we are invited to the house of the SPANISH AMBASSADOR that throws a small party to present the ideas that are active in the city this week. We have some champagne bubbles and jamón with Martinka, Oscar and Arístides. The wife and daughter of ambassador are great hosts and make us feel home. We talk to the director of the Cervantes Institute about the check identity in nowadays political situation. The kitchen-dialogues book by Oscar and Martinka, just published the last week, is given as present to the hostsWe move to center of town to relax at club NEUSTADT, have a last wine in a hybrid atmosophere. Next morning I take the day to walk from south to west and develope a relationship with the city. The amount of tourists in the center area pushes me fast to the side of the river. I love the natural bushes and the sound of trams. I establish my residency in the confortable and natural B&B as art that Martinka and Oscar run this week in Prague. They have built a hostel in their studio. The beds are amazingly solid and the space of the room makes it by far the nicest hostel i ever saw. Great evolution in their invisible political situation artworks. Most of the guests are artists that come to the quadriennale. In the night we club and dance the music by SSION AT MEET FACTORY. Visuals are great, in sync with the party. People hang around after concert is finished dancing in a big empty room. I have the minimal art set again with me. I will explore urban sound in ralation with tectonics in the city center and walk some natural scapes in the peripheries of Prague, as part of the ongoing series of situations, based on memories as sound, color, form and affection. Lets find the freshness of the days. I will use the monochromatic situational fixers a bit, only a bit. The local galleries display interesting art. I like video awareness. It is a fresh concept. no wonder lots of emerging artists are fascinated with it. If collage ruled dadá one hundred years ago, awareness seem to be a trend that is fixing the moment. I enjoy an installation made as a survival kit at space xx where we cook some beans and eat part of the show. I love eatable art. If in mexico city I ate all the installattion i did around my aboriginal avatar, in Prague we pick and eat cherrys from the huge trees in the slope at malastarana. oscar shakes the tree to make it rain on me. the feeling of cherrys hitting my back is marvelous. and toeat the in the earlly morning, after a night of good dancing in the basemment of rhe national gallery, after vernissage. in the show i liked a videoart work where two women run toward the camera from far away, one in a regular running outfit, and the other in a black burka. Simple and Elegant. no comments added. i fix the yellow with a floor sculpture installation made with flatty cement piramyds. the materiality is gorgeous and the efeect of barrier, landscape, architecture and burial come alltogether. way to go. Emerging art. during the opening the top floor i perform in green, white, purple and black again. the yellow satellite in the scenario pepared to interaction. the mirror, the lines and the use of technology work peerfectly. a hybbrid of art and lannguages mirrors and the floor installaion by CARL ANDRE. fast night. in the day we take a bus to visit the vietnamese sector in the south of praha. we coross the slopes with modern housing buildings near the river, to enter an area full of late communism housing blocks painted in basic colors. the surroundings are reasonable green. little hanoi is fenced, and the entry in full of wearhouses selling stocks of about everything. we walk around to find some colors and street food. the plasticity is amazing, most of the shops are made with old cargo containers. no designers needed. we eat. we dring. we smoke. a trip inside the trip. when leaving the area i lay for sone time in a drameland flowered landscape catching some beauty. YET ANOTHER relevant place of affection. NEXT DAY IT RAINS. i find two silvered small airpalnes in a fleamarket and i carry them for hours. i picture the bue bags with a naturlist sculpture of a young naked lady uneder a huge bridge. i walk home. wet. shower and chat with the artist invited by kitchen dialogues. saturday night glows. on sunday i leave the city to reach tursko and visit friend TZA, and make the last performance as direct action with water. the afternoon is sunny, the light hits the grass, the plants, some artworks and the bricks. the metal bath gets slowly filled while we drink tea. i record some minimal movements and play with the dogs. the big and the wounded. all black. i carry a black rubber, and black clothes. i display the set on the grass, second performnace clothes, after white and purple. the water is cold, not as much as in the norwegian winter. videoart is ready. urbanity, cherry trees and cold water. love prague.



EXTRA                                 M E M O R Y

C0POS 481 https://youtu.be/Uqsfc3gChK8
COPOS 482 https://youtu.be/RHceHE69B7c
COPOS 483 https://youtu.be/7dSRt-Lu5aE
COPOS 484 https://www.youtube.com/watch?v=jjDYduRgFzI ALBATROS



PRAGUE QUADRENNIAL OF PERFORMANCE AND DESIGN
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
http://www.pq.cz/en/

SITE http://www.meetfactory.cz/cs/

HOSTS http://www.meetfactory.cz/en/program/rezidency/rezidency-program/martinka-bobrikova-oscar-de-carmen

http://kitchendialogues.com/

MARTINKA BOBRINKOVA + OSCAR DE CARMEN
http://www.madefromwaste.org/







RECENT RELATED EXHIBITIONS

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
UNSTABLE INSTALLATION SERIES AND SITUATIONS

THE LIGHT IN PROVENCE http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html  TAXIDERMY - LONDON -http://antolloveras.blogspot.com.es/2015/04/taxidermy-east-london-city-is-animal.html LEMON KISS - CROATIA 
http://hdluistre.hr/izlozbe/anto-lloveras-lemon-kiss-unstable-installations MUDAS SERIES MUDAS - MEXICO DF
http://antolloveras.blogspot.com.es/2013/06/mudas-series-mudas-mexico-df-2013.html FRESH MUSEUM - 
http://freshmuseum.blogspot.com.es/
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